Cabin Fever

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Greg Heffley is in big trouble. School property has been damaged, and Greg is the prime suspect. But the crazy thing is, he’s innocent. Or at least sort of.

The authorities are closing in, but when a surprise blizzard hits, the Heffley family is trapped indoors. Greg knows that when the snow melts he’s going to have to face the music, but could any punishment be worse than being stuck inside with your family for the holidays?

Amazon Exclusive: A Q&A with Jeff Kinney

Question: Given all the jobs that you have--game designer, fatherhood, Diary of a Wimpy Kid movie work, etc.,--do y! ou have a certain time that you set aside to write?

Kinney: I still treat writing like a hobby, working mostly at night and sometimes on weekends. But when a deadline looms my hobby time gets extended into the wee hours of the night. It's not uncommon for me to work until 4:00 a.m., and I'm usually back at work by 9:00 a.m.

Q: Did you get to choose which character you would play in the Wimpy Kid films (Mr. Hills)? What do you enjoy most about working on the movies?

Kinney: I never any real desire to appear in the Wimpy Kid films, but one day my wife encouraged me to be an extra in one of the crowd scenes. So I walked onto the set, ready to ask the assistant director to put me somewhere in the back. It happened that right at that moment the director was looking for someone to play the role of Mr. Hills, Holly Hills's father. What I didn't realize was that I'd be front and center in the church scene, and in the new movie! , I'm even more prominent. I'm incredibly self-conscious so ap! pearing on-camera was a real stretch for me.

Q: In 2009 Time magazine named you as one of the 100 Most Influential People in the World--what’s the first thing you did after you found out?

Kinney: I thought it was a practical joke, so I tried to track down the source of the joke. I eventually reached a voicemail of a reporter who said they worked for Time, and at that point I thought it was just a well-planned practical joke. It took me a while to realize it was for real. It was a big honor, but I don't take it very seriously. I'm the fourth most influential person in my own house.

Q: Would you ever consider making Wimpy Kid into a newspaper comic strip or creating another one? Do you have any favorite comic strips that you currently read?

Kinney: I've considered it. I set out to become a newspaper cartoonist but failed to break in. But I like the freedom books give me, so it would be tough to c! ram my ideas into three or four panels.

Q: What is (or could be) you motto in life?

Kinney: I was inspired to write by a Benjamin Franklin quote: "Well done is better than well said." But I always encourage kids to "create something great," because the tools to create something original and find an audience are available to them like never before.

Q: What was your favorite year in school, and why?

Kinney: Fifth grade was my favorite year. I had a great teacher, Mrs. Norton, who encouraged me to be funny and challenged me to be a better artist and joke-teller than I was. I liked it that she didn't coddle me.

Q: Kids now ask for a book that is “like Diary of a Wimpy Kid,” and with this series you’ve created a whole new subset of books for young readers--how does it feel to be the person behind such massive book enjoyment, reaching reluctant readers, and spawning any number of ! titles that aspire to be “the next Wimpy Kid?”

!

< b>Kinney: I'm happy that kids are reading. I think graphical books reach kids who might otherwise see books as work. Books should be fun!

A modern Waldenâ€"if Thoreau had had three kids and a minivanâ€"Cabin Fever is a serious yet irreverent take on living in a cabin in the woods while also living within our high-tech, materialist culture.
 
Try to imagine Thoreau married, with a job, three kids, and a minivan. This is the serious yet irreverent sensibility that suffuses Cabin Fever, as the author seeks to apply the hermit-philosopher’s insights to a busy modern life.
 
Tom Montgomery Fate lives in a Chicago suburb, where he is a husband, father, professor, and active member of his community. He also lives in a cabin built with the help of friends in the Michigan woods, where he walks by the river, chops wood, and reads Thoreau by candle light.
 
While he divides his time between suburbia and the cabin, Fate’s po! int is not to draw a line between the two but to ask what each has to say about the other. How do we balance nature (picking blackberries) with technology (tapping BlackBerrys)? What is revealed about human boundaries when a coyote wanders into a Quiznos? Can a cardinal protecting chicks from a hungry cat teach us anything about instincts and parenting? Fate seeks a more attentive, deliberate way of seeing the world and our place in it, not only among the trees and birds but also in the context of our relationships and society.
 
A seasonal nature memoir, Cabin Fever takes readers on a search for the wild both in the woods and within ourselves. Although we are often estranged from nature in our daily lives, Fate shows that we can recover our kinship with the earth and its other inhabitants if we are willing to pay attention.
 
In his exploration of how we are to live “a more deliberate life” amid a high-tech, material world, Fate invites reade! rs into an interrogation of their own lives, and into a new ki! nd of vi sion: the possibility of enough in a culture of more.

 

Love isn’t something she thinks she needs…until it lands right on her doorstep.

 

Genevieve Boden is a witch and doesn’t care who knows. The townspeople’s fear of her keeps away those who have hurt her beforeâ€"like the local men of authority. Besides, a life of exile deep in the woods of West Virginia is due punishment, she figures, for the part she played in her mother’s death. If she’s alone, no one need know that the trauma took away her powers.

 

Then she finds a bloody, fatally wounded man slumped on her porch. In an instant, her healing ability reawakensâ€"and that’s not all. He stirs a hunger beyond her wildest dreams. But a relationship with the new chief of police? Not a chance.

 

Alex Rivera isn’t sure how he survived, but he’s certain his beautiful savior did more than just bandage his wounds. Capti! vated by this wary angel and stunned by the depth of emotion he feels for her, he vows to discover her secrets. After all, thanks to the raging snowstorm, they have nothing to do but share body heat.

 

Their sizzling attraction goes straight to their hearts. So could a killer’s bullet…once whoever shot Alex finds them.

 

Warning: Contains a convenient snowstorm that throws together two wounded characters who happen to be wildly attracted to each other, a drool-worthy hero, a shotgun-toting heroine, mattress sex, shower sex, couch sex, armchair sex, some light bondage, and a really good cup of hot cocoa.

 

 

A log cabin in the woods is one of America's most cherished icons -- a dream shared around the world. As the stress level of city life rises, more and more of us are imagining our own cottages far away from traffic lights and urban distractions. Cabins in the wilderness have never gon! e out of style, because the rustic life is a simple, rewarding! one roo ted in the traditions of the great outdoors.

Featuring rustic interiors as well as North Woods architecture, Cabin Fever visits more than two dozen charming retreats old and new, large and small, in the mountains and along the water, from the wilds of New York out to the wild, wild West. Author Rachel Carley explains where our love for the rustic comes from and shows the amazingly varied guises in which it appears today.

After serving as settlers' cabins, log homes enjoyed a phenomenal popularity in the late nineteenth century. Wealthy families such as the Vanderbilts, Guggenheims, and Carnegies summered in areas as remote as they could find, building what were euphemistically called camps. Those less affluent, following the era's prescription for fresh air and simplicity, traveled to even more rustic hotels and vacation cabins to get their share of the refreshing woods. Cabin Fever presents some of the best of these old lodges and private cabins, along! with striking new homes that give a contemporary twist to the ideal of the rustic life.

To help fill a cabin, a whole camp, or even an apartment with the latest in rustic style, the book's catalogue shows where to find home furnishings from twig bedsteads to Hudson Bay blankets to Adirondack chairs. Brimming with exceptionally creative ideas for achieving this truly American look, this enchanting guide to living with the rustic style will cure every variety of cabin fever.The craze for "getting away from it all" in buildings of log, stone, and unpainted lumber has been a part of American life since the 1800s. From the Gilded Age retreats of the Catskills and Adirondacks to the rugged Wild West lodges of Yellowstone and Yosemite, Cabin Fever celebrates the architectural elements that make cabin style unique: gleaming hand-peeled and polished logs, cowhide sofas, and river-rock fireplaces. Some are large, old, and built as public lodgings, like Putnam Camp,! the Adirondack summer retreat founded by philosopher William! James, which still has the cheerful austerity it had when Freud and Jung mingled there with Harvard academicians. Others, like the grand hunting lodge nestled on the edge of a marsh, are more recent monuments to quirky private visions of the perfect rustic retreat. Rooms in both are accessorized with animal heads, native American blankets and art, snowshoes, antler chandeliers, and willow twig furniture. The book's appendix includes catalog sources for everything from small wooden summerhouses to buffalo-plaid blankets, and a list of hotels in the grand old style (like Yosemite's Ahwahnee and the Grand Canyon's El Tovar). Even if you can't have a piece of the wilderness to call your own (and the burl furniture to match), you can still enjoy the rustic yet substantial comforts of Cabin Fever.When Naomi is scarred by a horrible crime, her old seductress ways were put to rest, while she coped with the fact that men did not find her attractive anymore. Yet, when she ! ventures on the Internet and finds a man who will love her despite her appearance, she realizes that beauty is only skin deep, but deception is ugly to the bone.When Naomi is scarred by a horrible crime, her old seductress ways were put to rest, while she coped with the fact that men did not find her attractive anymore. Yet, when she ventures on the Internet and finds a man who will love her despite her appearance, she realizes that beauty is only skin deep, but deception is ugly to the bone.This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understan! ding of the imperfections in the preservation process, and hop! e you en joy this valuable book.CABIN FEVER - DVD MovieA sneaky and surprisingly smart horror flick, Cabin Fever sets up all the cliches of its particular subgenre (what might be called the "sexy young people go into the woods" horror movie, featuring hostile redneck locals, dead animals on hooks, cars that suddenly stop running, etc.) and by the end has played a clever twist on every standard element, often to darkly comic effect. What's the plot? Well, five sexy young people (Rider Strong, Jordan Ladd, Joey Kern, Cerina Vincent, and James DeBello) go to an isolated cabin where they contract a nasty bacteria that eats their flesh; this, combined with a bad-tempered dog and a party-loving police deputy (Giuseppe Andrews, giving a particularly funny performance), leads everyone into confusion and bloody chaos. Some of the ironic twists are a little obvious, but most of them effectively subvert your expectations to entertaining effect. --Bret Fetzer

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Famous Stars and Straps Filth and Fury Skateboard Deck (7.75-Inch)

• Doin our own thing since 99'
• Making Noise and Influencing People
• Limited edition collectors skate decks
• Each deck is layered with durable adhesive, then pressurized to allow for the unique, concave shape
• The layers are made up of laminated wood and covered with a clear lacquer finish

"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock a! nd Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see! everyday."Ever get the feeling you've been cheated?" sneers J! ohnny Ro tten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all! their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand! of rock & roll that became the rallying cry for angry, disa! ffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even! footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker

The official companion to the Fine Line Features documentary film.

The Sex Pistols burst onto the music scene in 1976 and smashed up everything they touched. Their revolutionary sound energized disaffected youth worldwide while their larger-than-life singer, John Lydon (aka Johnny Rotten), and bass player, Sid Vicious, captured headlines throughout the Pistols' twenty-six-month reign as the lads who created punk.

For the first time, John Lydon, Paul Cook, Glen Matlock, Steve Jones, and Sid Vicious tell their story together in their own words through new interviews and archival material. Raw and engaging, The Filth and the Fury captures the emotions and egos that fueled the Pistols' rise to fame and ultimately brought them down.

Dive from the stage i! nto The Filth and the Fury.

"Ever get the feel! ing you' ve been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history les! son, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker7.75" Skate deck with printed graphics

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