Saturday, December 3, 2011

A Good Day to be Black & Sexy

  • GOOD DAY TO BE BLACK & SEXY (DVD MOVIE)
This digital document is an article from Colorlines Magazine, published by Color Lines Magazine on March 1, 2009. The length of the article is 621 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Films.('Salt of this Sea', 'I Like It Like That', 'A Good Day to Be Black and Sexy')(Movie review)
Author: Roya Rastegar
Publication: Colorlines Magazine (Magazine/Journal)
Date: March 1, 2009
Publisher: Color Lines Magazine
Volume: 12 Issue: 2 Page: 28(1)

Article Type: Movie review

Distributed ! by Gale, a part of Cengage LearningA between-the-sheets perspective on black love and sexuality, shown through the interactions of several couples during a single day in Los Angeles.

The Fight: Lights Out

  • Take control of a rough and tumble bare-knuckle fighter in the campaign mode as you crusade to beat down anyone that stands between you and your shot at becoming the toughest fighter out there
  • Unleash a wide arsenal of brutal attacks. Start simple with punches and uppercuts before amping up the intensity with headlocks and overhand blows to the head
  • In addition, assault of other dirty fighting techniques using two PlayStation Move motion controllers at once, together with the PlayStation Eye camera
  • Feel the action by using the PlayStation Move motion controller as you step into the game and command your fighter?s every movement with lifelike 1:1 motion for deadly precision
  • 12 underground fighting venues filled with opponents including bosses with character specific fighting skills and styles that can be transferred to the player character
Small-town boy Shawn M! acArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides that he has something worth fighting for and puts everything on the line to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Ha! rvey asks Shawn to take a dive. The plot sounds like a thousan! d boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene where Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (wh! ose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image)
Small-town boy Shawn MacArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides! that he has something worth fighting for and puts everything ! on the l ine to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Harvey asks Shawn to take a dive. The plot sounds like a thousand boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene w! here Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (whose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image)
Grab your PlayStation Move motion controllers and step into the dark and gritty underground of bare knuckle brawling in The Fight: Lights Out. The power to climb to the top of the underground scene is in your hands. The only rule is that there are no rules - you decide how to take down your next challenger. Get them in a headlock and throw elbows to the skull, or go ballistic by swinging with all-out haymakers. Use the PlayStation Move motion controllers to dominate opponents with accurately tracked strikes. Do you have what it takes to rule the underground?
The most realistic motion controlled fighting game released to date, The Fight: Lights Out for PlayStation 3 challenges! players to conquer the brutal world of illegal underground fighting utilizing the PlayStation Move motion controller and the PlayStation Eye camera peripheral (both sold separately)*. Together these two seamlessly translate the player's realistic physical actions to those of the character on the screen, allowing the players to fight however they choose. Keep it clean with standard jabs and punches, or fight dirty with headbutts, headlocks and more. The choice is yours as you take on 12 fighting venues filled with thugs and bosses and eventually take the fight online to unleash the skills you've learned against live virtual opponents.

The Fight: Lights Out game logo
Fight the Way You Want! with PlayStation Move
Grab your PlayStation Move con! trollers and step into the dark and gritty underground of bare knuckle brawling in The Fight: Lights Out. A launch title for the PlayStation Move motion controller, The Fight: Lights Out is a one-on-one fighting game featuring single player and multiplayer play options. Players utilize two Move motion controllers, one for each hand, to accurately track your rapid blows while the PlayStation Eye tracks your head as you duck, evade, outmaneuver and knockout anyone that has the guts to throw down with you. The precision and versatility of the controller/peripheral combo allows you to decide how you want to take down your next challenger. Get them in a headlock and throw elbow drops to the skull, or go ballistic by throwing nonstop haymakers. Fight clean or fight dirty, it’s entirely up to you because there are no rules.

Connecting with a right cross in The!   Fight: Lights Out
Use realistic fighting motions only possible with the PlayStation Move motion controller to become the ultimate street brawler.
View larger.
Gameplay
The Fight: Lights Out features both a local single player career mode and multiplayer, as well as online multiplayer. In career mode players assume the role of an up-and-coming brawler looking to make it in the world of illegal, underground street fighting. Players can customize their character with a preset range of body types and attire, as they prepare themselves to fight their way through the game's 12 venues using the precise and varied capabilities of the PlayStation Move motion controller. Each venue is popul! ated with a variety of opponents that will need to be defeated! , with t he final clash in each fought against a boss. Bosses are different from the lower level fighters that proceed them in that they have particular skills and/or styles that the player will not have encountered in earlier opponents. Once bosses are defeated by the player these styles are incorporated into the player's repertoire, making these skills usable against later fighters in career mode and invaluable as you eventually face live online opponents via PlayStation Network.

Key Game Features

  • Take control of a rough and tumble bare-knuckle fighter in the campaign mode as you crusade to beat down all opponents that stand between you and your shot at becoming the toughest fighter out there
  • Feel the action by using two PlayStation Move motion controllers and the PlayStation Eye peripheral as you step into the game and command your fighter’s every movement with lifelike 1:1 motion for deadly precision
  • Unleash a wide arsenal of fighting comb! os, starting simple with punches and uppercuts before amping up the intensity with headlocks and overhand blows to the head and an assault of other dirty fighting techniques
  • Fighter customizable options including physical appearance and attire
  • 12 underground fighting venues filled with opponents including bosses with character specific fighting skills and styles that can be transferred to the player character
  • Online functionality that allows the player to utilize skills acquired during the single player campaign
Snapping back an opponent's head with a jab in The Fight: Lights Out
1:1 motio! n contro l.
View larger.
Setting up a combo in an alley brawl in The Fight: Lights Out
Fight clean or dirty.
View larger.
Drawing blood against a thug using knuckle wraps in The Fight: Lights Out
Single & multiplayer sup! port.
View larger.
Fighting in a gym environment in The Fight: Lights Out
12 varied fighting venues.
View larger.

*Two PlayStation Move motion controllers and a PlayStation Eye camera required for play.

Wacky Wobblers Looney Tunes Daffy Duck Rabbit Season Bobble Head by Funko

  • "Duck Season!, Rabbit Season!, Duck Season!"
  • Based on the cartoon Rabbit Fire by Walter Maltese
  • Without luck, poor Donald tries to convince Elmer the Hunter that it is Rabbit Seaon.
  • Approximately 2 lbs shipped
  • This Bobble Head is a perfect gift for any Looney Tunes fan.
"Duck Season" takes you into one particular Sunday morning in the lives of two fourteen-year old boys, Flama and Moko. With their neighbor Rita and pizza delivery boy Ulises, they create their own adventures to overcome their boredom. "Duck Season" explores the loneliness of childhood, the effects of divorce and the curious power of love and friendship. Winner of numerous awards, including an unprecedented 11 Ariel Awards, the film was produced by Christian Valdelievre, Lulu Productions and Cinepantera and executive produced by Jaime Ramos. Warner Independent Pictures and Alfonso Cuaron's Espera! nto Films will distribute.The Oregon Daily Emerald, the student newspaper at the University of Oregon, is pleased to bring Duck fans a very special, hard-bound, coffee-table pictorial book. This heirloom quality keepsake book, with foreword by University of Oregon President Richard Lariviere, will feature hundreds of images that capture the amazing 2010 championship season of the Oregon Ducks as seen through the eyes of the University of Oregon s best student journalists. Go Ducks!Ex-Beat Junkie and Dilated Peoples refugee Babu takes the time-honored hip-hop tradition of the master mix and twists it up a bit. A well-traveled and well-respected man, the Los Angeles turntablist is an emcee's DJ who got his start during the early '90s, a fact reflected in Duck Season, Vol. 1's almost lazily nostalgic selection. Overall, the production work reigns supreme over fairly mediocre lyricism. However, the album's old-school feel is strengthened by Babu's tight mixing ! skills. Not only are the songs well blended, he actually chops! things up a bit with a taste of cut 'n' scratch and some nice backspin techniques. Random snippets of dialogue and sound effects tie into the Duck Season theme. New York is repped to full effect by solid cuts from Bumpy Knuckles, M.O.P., and the Beatnuts, while Phil Da Agony and Jurassic 5 hold it down for the West. --Rebecca LevineDuck and Goose, where is your pumpkin? Is it in the log? Is it under the leaves? Is it in the apple tree? Preschoolers will surely enjoy going on a pumpkin hunt with Duck and Goose . . . especially when they find the perfect pumpkin at the end!Duck and Goose, where is your pumpkin? Is it in the log? Is it under the leaves? Is it in the apple tree? Preschoolers will surely enjoy going on a pumpkin hunt with Duck and Goose . . . especially when they find the perfect pumpkin at the end!"Duck Season!, Rabbit Season!, Duck Season!". , a 1950 Looney Tunes cartoon starring Bugs Bunny and Daffy Duck for Warner Brothers Studios. Without l! uck, poor Daffy tries to convince Elmer the Hunter that it is Rabbit Seaon. This Bobble Head is a perfect gift for any Looney Tunes fan.

Halloween Hitcher Garden Flag

  • Decorative Art Flag
  • Toland Flags are made from durable 600 denier polyester
  • Heat sublimated process permanently dyes flag fabric for long-lasting color
  • Toland Flags are UV, Mildew, and Fade Resistant
  • All Toland Flags are machine washable
  • 600 denier polyester
  • Heat sublimated to permanently dye fabric
  • Licensed art
  • Machine washable
  • UV, Mildew, and Fade Resistant
Two years ago, on the same day but miles apart, Finn Darby lost two of the most important people in his life: his wife Lorena, struck by lightning on the banks of the Chattahoochee River, and his abusive, alcoholic grandfather, Tom Darby, creator of the long-running newspaper comic strip Toy Shop. Against his grandfather's dying wish, Finn has resurrected Toy Shop, adding new characters, and the strip is more popular than ever, bringing in fan letters, merchandising ! deals, and talk of TV specials. Finn has even started dating again.When a terrorist attack decimates Atlanta, killing half a million souls, Finn begins blurting things in a strange voice beyond his control. The voice says things only his grandfather could know. Countless other residents of Atlanta are suffering a similar bizarre affliction. Is it mass hysteria, or have the dead returned to possess the living? Finn soon realizes he has a hitcher within his skin... his grandfather. And Grandpa isn't terribly happy about the changes Finn has been making to Toy Shop. Together with a pair of possessed friends, an aging rock star, and a waitress, Finn races against time to find a way to send the dead back to Deadland... or die trying!World famous actor Sam Neil and rap legend Chuck D rub shoulders with writers like JP Donleavy and Carmel Bird. Physicists, business leaders, publishers, political activists, soldiers, poets, athletes and comic book creators are brought together by ! their common experience of hitching a ride sometime in the pas! t.

Since the '60s and '70s - the heyday of hitching - people have thumbed rides worldwide. Money never changes hands, but all manner of social transactions take place. These tales will open your eyes and take you back - of forward. Just when you think you've heard it all, turn the page. You'll discover you haven't!World famous actor Sam Neil and rap legend Chuck D rub shoulders with writers like JP Donleavy and Carmel Bird. Physicists, business leaders, publishers, political activists, soldiers, poets, athletes and comic book creators are brought together by their common experience of hitching a ride sometime in the past.

Since the '60s and '70s - the heyday of hitching - people have thumbed rides worldwide. Money never changes hands, but all manner of social transactions take place. These tales will open your eyes and take you back - of forward. Just when you think you've heard it all, turn the page. You'll discover you haven't!HITCHER - DVD MovieSteven Spielberg'! s first feature film, 1971's Duel, is set on a desert highway. It stars Dennis Weaver as a driver being pursued by a menacing truck, which is following him with all the vengeance of the ancient furies. In this spiritual update from 1984, C. Thomas Howell plays a guy taking a drive-away car from Chicago to San Diego. On a whim, in the rain, and against his better judgment, he picks up a hitchhiker (Rutger Hauer). The hitcher quickly admits to being a murdering psychopath, and once Howell finally gets him out of his car, he is pursued with all the vengeance of the ancient furies. We're never sure if the hitcher is a figment of his imagination, making Howell a schizophrenic killer, or if he's real and Howell is the random victim of a wandering madman, which is how his potential new girlfriend (Jennifer Jason Leigh) thinks of him. Either way, The Hitcher is great fun, kinda scary, and teetering on the brink of "must see." --Andy SpletzerSteven Spielberg's ! first feature film, 1971's Duel, is set on a desert hig! hway. It stars Dennis Weaver as a driver being pursued by a menacing truck, which is following him with all the vengeance of the ancient furies. In this spiritual update from 1984, C. Thomas Howell plays a guy taking a drive-away car from Chicago to San Diego. On a whim, in the rain, and against his better judgment, he picks up a hitchhiker (Rutger Hauer). The hitcher quickly admits to being a murdering psychopath, and once Howell finally gets him out of his car, he is pursued with all the vengeance of the ancient furies. We're never sure if the hitcher is a figment of his imagination, making Howell a schizophrenic killer, or if he's real and Howell is the random victim of a wandering madman, which is how his potential new girlfriend (Jennifer Jason Leigh) thinks of him. Either way, The Hitcher is great fun, kinda scary, and teetering on the brink of "must see." --Andy SpletzerThe authority in garden flags, Toland Home Garden offers flags of the finest quality. There ! is something for everyone in our sought-after line of original fine art flags. Discover the wide range of seasonal, patriotic, holiday and renowned everyday designs. The quality of Toland Home Garden keeps the customers returning for more.

House on Haunted Hill

  • Condition: New
  • Format: DVD
  • Closed-captioned; Color; DVD; Widescreen; NTSC
When an eccentric millionaire offer a group of opposites $1,000,000 to spend the night in a so called "Haunted House" with a murderous past, they figure it is a quick way to get quick money and leave. All of them are sure it is some made up story just to mess with their heads a little and test their courage. But, once they stay in the house they start to think about the mistake they made in coming there when mysterious things start to happen.House on Haunted Hill is one of the new breed of waste-no-time thrill machines, like Deep Blue Sea, and a particularly effective example at that. The plot is pure contrivance: For a party stunt, a wealthy amusement-park manufacturer (Geoffrey Rush) offers five people a million dollars if they spend the night in a former insane asylum where the patients! murdered the sadistic staff. But it turns out the five people who arrive aren't the five he invited--did his wife (Famke Janssen), who hates him, make the switch? From there events unfold with a smart combination of human and supernatural machinations; spooky jolts are dispensed at regular, but not entirely predictable, intervals. The visual effects owe a considerable debt to Jacob's Ladder, a much more ambitious movie; House on Haunted Hill just wants to get under your skin, and succeeds more than you'd expect. Rush is his entertainingly hammy self; Janssen, Taye Diggs, Ali Larter, and Bridgette Wilson are attractive and reasonably straight-faced about it all; and Chris Kattan is genuinely funny as the house's neurotic owner. Some elements of the plot seem to have been lost in the editing process, but it hardly matters. More bothersome is that the scares go flat when computer effects take over at the end--the digital images just aren't as creepy as the more! suggestive stuff that came before. But that's just the very e! nd; most of the movie has a lot of momentum. Watch until the end of the credits for a final bit of eeriness. --Bret Fetzer

Encounter in the Third Dimension 3D Sensio Edition (Full Color 3D- Requires Sensio Processor or Compatible Software)

  • Great for parties!
  • Amazing effects!
  • Region 0- watch anywhere in the world!
  • Fun family entertainment!
  • Requires Sensio Processor or 3D software
Studio: Cav Distributing Corp Release Date: 07/28/2005Without question, 3-D technology has come a long way since the days of red and green cardboard glasses, and Encounter in the Third Dimension is ample proof. This half-hour feature--also available in The Ultimate 3-D Collection, which includes two other films and the H3D "i-glasses" hardware needed to generate the 3-D imaging--tells the story of three-dimensional cinema, in the process showing off a lot of what the technology can do. Elvira's presence is largely incidental; the best section by far is a dramatic tour through an otherworldly chasm. The film's sense of depth is astoundingly convincing, especially during the many point-of-view seque! nces; crags and dinosaur limbs seem to jut halfway between the screen and your viewing position. The disc's image and color resolution are not as good as we've come to expect from DVD, however.

Originally produced to showcase "large-format" 3-D (i.e., a towering IMAX screen), Encounter features fun snippets of old films and even a few stereographic still photos. Sadly, none of these fills the screen or lasts very long, and the process reverts to standard 2-D imaging in pause mode. The sound is well above average, enhancing the sense of depth with a seamless DTS surround mix that works well even in headphones. --Michael MikesellATTENTION! This system REQUIRES a CRT TV for 3D viewing. This will NOT work with HDTVs, LCD TVs or Plasma screens. Enjoy 3D on your existing standard technology!Without question, 3-D technology has come a long way since the days of red and green cardboard glasses, and The Ultimate 3-D Collection is ample proof. Incl! uded in the set are three roughly 30-minute animated features! (Ali en Adventure, Encounter in the Third Dimension, and Haunted Castle) and the H3D "i-glasses" hardware you need to enjoy them: a small processing box to insert between your DVD player and your TV, two sets of viewing goggles, and all the cabling you need to put it together. By and large, the sense of real depth conveyed by each feature is astoundingly convincing, especially during the many point-of-view fantasy sequences; crags and dinosaur limbs seem to jut halfway between the screen and your viewing position. Be warned, though, that the discs' image and color resolutions vary from poor (Alien Adventure) to mediocre (Encounter in the Third Dimension) to quite good (Haunted Castle).

Encounter, originally produced to showcase "large-format" 3-D (i.e., a towering IMAX screen), features fun snippets of old films and even a few stereographic still photos. None of these fills the screen or lasts very long, however, an! d the process reverts to standard 2-D imaging in pause mode. While more live-action footage would have been great, Haunted Castle is a real treat. The only disc with an actual story line (a rock & roll reworking of the Faust tale, with credible music to boot), Haunted Castle creates the most convincing sense of depth through real-life elements like trees and torches. The sound on all discs is excellent, enhancing the sense of depth with seamless DTS surround mixes that work well even in headphones. This is an impressive set, and with 3-D technology this good, there's a strong chance the included goggles and processor will see more 3-D action going forward. --Michael MikesellExperience the amazing 3D effects of Encounter in the Third Dimension 3D originally shown in the IMAX! This is the ONLY full frame, full color 3D DVD release. Join the Professor, Max and Elvira in an adventure like no other- a journey into the 3rd dimension! Please n! ote, this DVD requires a Sensio Processor or a computer with c! ompatibl e software (stereoscopic player or Tridef Media player are recommended) This DVD has been tested with some 3D Blu ray players with some success. However, on some TVs, the images appears stretched (the 3D effect is perfectly in tact however) Please note that this DVD is NOT guaranteed to work with every 3D blu ray player and was not intended to be viewed with this method. It is recommended to view this DVD using stereoscopic player or Tridef Media software.

Eden of the East: The Complete Series [Blu-ray]

  • EDEN OF THE EAST - COMPLETE SERIES - BR (DVD)
Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.\n "East Is East" is Damien O'Donnell's directorial debut, and he nails the! raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making "East Is East" a tremendously fun film. "--Jenny Brown"Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British ! wife (Linda Bassett), is determined to wield his influence ove! r his cl an. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insisten! ce on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownA young Japanese seaman jumps ship off the coast of Georgia and washes ashore on a barrier island inhabited by a strange mix of rednecks, descendents of slaves, genteel retired people, and a colony of artists. The result is a sexy, savagely hilarious tragicomedy of thwarted expectations, mistaken identity, love, jealousy and betrayal. "An absolutely stunning work, full of brilliant cross-cultural insights."--The New York Times Book Review.Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George! Khan (Om Puri), father of seven unruly moppets and husband to! a willf ul British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can.! Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownManchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for! discos and English girls; Meenah (Archie Panjabi), the only g! irl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the! film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownRe-issue of this intensely likeable best-selling comedy to coincide with extensive nationwide tour from Sept 05 to April 06. In Salford 1970: the Khan children, caught between bell-bottoms and arranged marriages, are buffeted this way and that by their Pakistani father's insistence on tradition, their English mother's laissez-faire and their own wish to be citizens of the modern world. Successfully filmed, after a rags-to-riches stage career that began in Birmingham in 1996, went on to a London premiere at the Royal Court, and culminated in the West End, "East is East" is a firm favourite with schools and theatres alike. It is one of NHB's top ten best-selling plays.Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets a! nd husband to a willful British wife (Linda Bassett), is deter! mined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Salee! m balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownThe swordsman series continues with the reappearance of the isolated transgender asia the invincible to refute those who have used his name for fame and power. Special features: subtitles in english chinese korean japanese vietnamese thai malaysian and indonesian chapters and filmographies. Studio: Tai Seng Entertainment Release Date: 10/24/2000 Starring: Brigitte Lin Joey Wang Run time: 108 minutes Rating: Nr Director: Ching Siu TungNobel P! rize-winning author John Steinbeck considered East of Eden his quintessential novel. At more than six hours, this sumptuous production brings Steinbeck’s bestseller to the screen more fully and faithfully than any other adaptation. Sweeping from Connecticut to California and from the Civil War to World War I, it follows three generations of the tumultuous Trask family: patriarch Cyrus (Warren Oates); his feuding sons, Adam and Charles (Timothy Bottoms, Bruce Boxleitner); and quarrelsome grandsons, Aron and Cal (Hart Bochner, Sam Bottoms). Through these men’s lives slithers Cathy (Jane Seymour) -- a she-serpent who holds their love and enmity.

With a cast that includes Lloyd Bridges, Howard Duff, Anne Baxter, and Karen Allen, this saga explores the nature of good and evil, the origin of sin, and the hope of reconciliation. In its ambitious themes, pervasive Biblical allusions, and abiding reverence for the land, East of Eden stands as a timeless American epic.

Winner of an Emmy® for best art direction and Golden Glo! bes® for best miniseries and best actress.

DVD SPECIAL FEATURES INCLUDE exclusive interview with Jane Seymour, biography of John Steinbeck, and cast filmographies.Bringing to life the bestselling novel by Nobel Prize winning author John Steinbeck, this TV adaptation faithfully follows the history of the Trask family from the Civil War to World War II. A recreation of the biblical story of Cain and Abel, East of Eden follows estranged half-brothers Adam and Charles (Timothy Bottoms and Bruce Boxleitner) as they reunite after the death of their father, Cyrus (Warren Oates). They live together on their father’s land, constantly quarreling, when they meet the manipulative and beautiful Cathy Ames (Jane Seymour), a prostitute with a dark past. The theme of good versus evil runs rampant throughout and entangles itself in the Trask family legacy through each generation. Jane Seymour’s brilliant portrayal of Cathy through three decades, from young runaway to aging m! other, earned her a Golden Globe. Fans of Steinbeck and Seymou! r alike will be pleased with this retelling which won an Emmy for best art direction and Golden Globe for best miniseries. This three-disc set features a biography on John Steinbeck, exclusive interview with Jane Seymour, and cast filmographies. --Amanda FaddisAkira Takizawa wakes up naked outside the White House with no memories. He’s got a gun in one hand, a cell phone in the other, and doesn’t know if he’s a good guy or one of the worst. He doesn’t remember the phone gives him instant access to ten billion yen and a woman who can make his most outlandish requests a reality. He doesn’t recall his connection to the ongoing missile attacks terrorizing the Japanese people. Or the part he played in the sudden disappearance of 20,000 shut-ins. He doesn’t even remember he’s supposed to save Japan and will be murdered if he fails. Whatever it is he’s tangled up in, Takizawa’s definitely in deep â€" and that’s not even scratching the surface.Eden of the East scored a big hit in Japan when the series aired in spring 2009: in less than a year, two follow-up features continued the story, The King of Eden and Paradise Lost. Twentysomething Akira Takizawa wakes up in Washington, DC, buck naked and stripped of his memories: all he has is a gun and a super-sophisticated mobile phone that delivers anything he requests. He meets Saki Morimi, a college senior on her graduation trip to America, and returns with her to Japan. Takizawa tries to recover his memories, which may be linked to a pair of missile attacks on Japan and the disappearance of 20,000 NEETS (young men with No Employment, Education or Training). From his phone--which provides the equivalent of more than Â¥8 million (about $100,000,000), Takizawa learns that he is a seleçao, one of 12 agents charged by the mysterious Mr. Outside with saving a faltering, apathetic Japan. As he resolves the mystery of his identity, Takizawa gets help from Saki, her ! friends, and a hikikomori superhacker. Eden of the E! ast was written and directed by Kenji Kamiyama, writer-director of the popular Ghost in the Shell: Stand Alone Complex. Kamiyama once again demonstrates his exceptional skill at building suspense and weaving an exciting fantasy. The cyber-terrorism elements of Eden recall the "Laughing Man" mystery in Stand Alone Complex, but this time Kamiyama is working with his own characters and world, and the results are more intriguing. The taut scripts and a winning performance by voice actor Jason Liebrecht make Takizawa an appealing hero, even in the most improbable circumstances. Eden of the East ranks among the very best anime of 2010. (Rated TV MA: violence, nudity, risqué humor, alcohol and tobacco use) --Charles Solomon

(1. I Picked Up a Prince, 2. Melancholy Monday, 3. On the Night of the Late Show, 4. Real Reality, Fabricated Reality, 5. This Is No Time to Be Thinking About That… 6. Eden of the East, 7. Flight of the Black Swan, 8. Search! ing for the Path Already Lost, 9. A Man Too Ephemeral, 10. Who Killed Akira Takizawa? 11. The East That Continues On)

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