CHARLOTTE LEWIS 8X10 PHOTO

• Description: High Quality real photograph printed on Fuji Paper.
• Size: 8X10 inches
• Would look great at home or in your office!
• Exclusive product only available from Moviestore!

When Abigail Stone visited the local historical museum she wandered into an area being renovated for a new permanent exhibit. The volunteer working there told her that the brick wall she was examining had once been the outer wall of the museum. It had been covered when an addition to the museum was added in 1948.
While talking to the volunteer about the exhibit that would eventually be housed in this large area, Abigail noticed an irregularity in the brick work of the recently uncovered outer wall. Upon closer examination, she found a loose brick and, behind it, a note.
Some time later a couple who were renovating their very old house found a packet of letters tied together wedged behin! d a rafter in the attic. Because the top few letters appeared to be written by the librarian nearly a hundred years before, they brought the letters to the museum. The note Abigail found had been written by the same person. She did some research to discover who the writer was and to whom he was writing. She uncovered both a love story and an unsolved 100-year old crime.
Must Be 18 Or Over To Purchase. Playboy Magazine Are From A Private Collector`s Collection Who Took Great Care In Keeping Them Flat & Clean. Very Collectible & Many Issues Are Very Hard To Come By.When Abigail Stone visited the local historical museum she wandered into an area being renovated for a new permanent exhibit. The volunteer working there told her that the brick wall she was examining had once been the outer wall of the museum. It had been covered when an addition to the museum was added in 1948.
While talking to the volunteer about the exhibit that would eventually be housed in this larg! e area, Abigail noticed an irregularity in the brick work of t! he recen tly uncovered outer wall. Upon closer examination, she found a loose brick and, behind it, a note.
Some time later a couple who were renovating their very old house found a packet of letters tied together wedged behind a rafter in the attic. Because the top few letters appeared to be written by the librarian nearly a hundred years before, they brought the letters to the museum. The note Abigail found had been written by the same person. She did some research to discover who the writer was and to whom he was writing. She uncovered both a love story and an unsolved 100-year old crime.
When Abigail Stone visited the local historical museum she wandered into an area being renovated for a new permanent exhibit. The volunteer working there told her that the brick wall she was examining had once been the outer wall of the museum. It had been covered when an addition to the museum was added in 1948.
While talking to the volunteer about the exhibit that would eventually be h! oused in this large area, Abigail noticed an irregularity in the brick work of the recently uncovered outer wall. Upon closer examination, she found a loose brick and, behind it, a note.
Some time later a couple who were renovating their very old house found a packet of letters tied together wedged behind a rafter in the attic. Because the top few letters appeared to be written by the librarian nearly a hundred years before, they brought the letters to the museum. The note Abigail found had been written by the same person. She did some research to discover who the writer was and to whom he was writing. She uncovered both a love story and an unsolved 100-year old crime.
CHARLOTTE LEWIS 8X10 PHOTO

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Bad Company

• Dynamic stars and edge-of-your-seat suspense electrify BAD COMPANY, the sexy thriller that's charged with red-hot erotic energy! Laurence Fishburne (WHAT'S LOVE GOT TO DO WITH IT?, THE MATRIX) is Nelson Crowe, a deep-cover CIA operative with a deadly assignment: infiltrate a highly secret industrial espionage firm. Once inside, he teams with Margaret Wells (Ellen Barkin -- SEA OF LOVE, SOM

SWITCH - DVD MovieBlake Edwards (Victor/Victoria) wrote and directed this sharp if somewhat underachieving satire about sexual politics, in which an unrepentant playboy (Perry King), with a long trail of broken hearts behind him, dies and comes back as a woman (Ellen Barkin). Barkin is terrific as a babe with the mind and soul of a stud, and her struggles to reconcile her male impulses with the realities of her new body are the best material in the film. Jimmy Smits is fine as her best friend (back w! hen she was a he, however), and JoBeth Williams is memorable as one of the deceased fellow's castoffs--she ironically becomes an ally of his incarnation as a woman. This isn't Edwards at his greatest, but it's a highly watchable minor entry in his canon. --Tom KeoghBIG EASY - DVD MovieAn atmospheric and sexy crime caper, this stars Dennis Quaid as a New Orleans police detective. He's a smooth talker who butts heads with the new assistant district attorney, Ellen Barkin. She's rigid and plays by the rules; he is mildly corrupt. They soon find themselves romantically entwined, and a bit chagrined.

Director Jim McBride (Great Balls of Fire) was in top form with this 1987 sizzler. You may not remember the particulars of the plot, which concerns supposed gang killings and police corruption, because it is the romance that has staying power. Blame this on Quaid and Barkin, who send off enough sparks to light up Bourbon Street. They are not only sexy together, bu! t endearing, which makes you want to like them as much as they! like ea ch other. --Rochelle O'Gorman A female detective investigating the serial murders of a sexual deviant becomes involved with a woman who is part of a club of prominent and sexually experimantal women; a club that all of the murder victims were members of.
Genre: Mystery
Rating: R
Release Date: 13-JUN-2000
Media Type: DVDSEA OF LOVE - DVD MovieAfter a career slump that plagued him through most of the 1980s, Al Pacino made a stellar comeback in this taut 1989 thriller, playing a weary New York police detective who falls in love with the woman (Ellen Barkin) who is the prime suspect in the murder case he's investigating. Expertly written by Richard Price and directed by Harold Becker, the story is designed to keep its central characters (and the viewer) in a state of constant suspicion and arousal--an emotional combination that sends dangerous sparks flying between Pacino and Barkin. Their chemistry is intense, and their love scenes! are some of the hottest of any movie of its decade. But Sea of Love is not merely concerned with cheap titillation. It's a riveting whodunit with scenes of nail-biting suspense and memorable dialogue that make it as interesting to listen to as it is to watch. Barkin had made a similarly sexy impression in The Big Easy, and here she gives one of the best performances of her underrated career, matching Pacino's excellence scene for scene. The ending's a bit of a letdown because the murder solution comes somewhat out of the blue, but it's the acting and suspense that you'll remember most--qualities that make Sea of Love one of the best films of its kind. --Jeff Shannon After a career slump that plagued him through most of the 1980s, Al Pacino made a stellar comeback in this taut 1989 thriller, playing a weary New York police detective who falls in love with the woman (Ellen Barkin) who is the prime suspect in the murder case he's investigating. Exp! ertly written by Richard Price and directed by Harold Becker, ! the stor y is designed to keep its central characters (and the viewer) in a state of constant suspicion and arousal--an emotional combination that sends dangerous sparks flying between Pacino and Barkin. Their chemistry is intense, and their love scenes are some of the hottest of any movie of its decade. But Sea of Love is not merely concerned with cheap titillation. It's a riveting whodunit with scenes of nail-biting suspense and memorable dialogue that make it as interesting to listen to as it is to watch. Barkin had made a similarly sexy impression in The Big Easy, and here she gives one of the best performances of her underrated career, matching Pacino's excellence scene for scene. The ending's a bit of a letdown because the murder solution comes somewhat out of the blue, but it's the acting and suspense that you'll remember most--qualities that make Sea of Love one of the best films of its kind. --Jeff ShannonDynamic stars and edge-of-your-seat suspen! se electrify BAD COMPANY, the sexy thriller that's charged with red-hot erotic energy! Laurence Fishburne (WHAT'S LOVE GOT TO DO WITH IT?, THE MATRIX) is Nelson Crowe, a deep-cover CIA operative with a deadly assignment: infiltrate a highly secret industrial espionage firm. Once inside, he teams with Margaret Wells (Ellen Barkin -- SEA OF LOVE, SOMEONE LIKE YOU) a master spy and seductive manipulator, in a plot to overthrow the organization's sinister president (Frank Langella -- DAVE). It's an explosive situation as this dangerous power play leads Crowe and Wells into a darkly mysterious web of intrigue -- and shocking murder!Laurence Fishburne is so cool and confident as rogue CIA man Nelson Crowe he looks born to the game. Wearing a cagey smile and exuding a fierceness beneath his calm, he runs through a battery of tests under the watchful eyes of Ellen Barkin (whose crooked grin reveals she's interested in more than simply his professional abilities) and Frank Langella.! Barkin and Langella run "The Toolshed," a private-sector vers! ion of t he CIA that provides security, investigations, and covert work such as blackmail and espionage, and they've got plans for Fishburne. Little do they know that he's not as rogue as they think. As Barkin plots her palace coup with Fishburne as her strong-arm partner, CIA agent Michael Murphy (at his most sleazy and manipulative in an unbilled role) plans his own takeover. Fishburne's role recalls Deep Cover, another film where the cop finds himself so in tune with his undercover part that he becomes as ruthless as the people he's investigating. Bad Company is rarely as compelling as Deep Cover, but its cleverly twisting plot (by veteran mystery scribe Ross Thomas) and roll call of corruption makes for an entertainingly cynical thriller. Director Damian Harris proves an adept stylist with his low-key direction and sleekly handsome look, but Fishburne makes the film with quiet menace and cold-blooded efficiency oozing from under his calculated reserve. --S! ean Axmaker

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