Tuesday, January 31, 2012

Russ Berrie Curious George with Red Shirt 16" Plush

  • Classic Curious George with Red Shirt
  • 17" standing
  • Safe for all ages
  • Made of So Soft Plush
  • Surface washable
"This is George. He lived in Africa. he was a good little monkey, and always very curious."
 
With these words, H.A. and Margret Rey introduced the world to Curious George, and the world has loved him ever since. The tales of this cheerful and resilent little heror have kept generations of readers enthralled and entertained. This lavish 70th Anniversary edition includes an introduction by Leonard S. Marcus, Publisher's Perspective by Anita Silvey, retrospective essay by Dee Jones with photographic album of Margaret and H. A. Rey, and the seven original tales of Curious George: Curious George, Curious George Gets a Medal, Curious George Flies a Kite, Curious George Rides a Bike, Curious George Goes to the Hospital, C! urious George Takes a Job, and Curious George Learns the Alphabet.   This volume also includes two audio CDs with recordings of the seven stories--more than one hour of storytelling!
 
The Complete Adventures of Curious George will be treasured by George's many fans, young and old.
Created by Margret Rey and her husband H.A. Rey, the mischievous monkey Curious George has delighted millions of readers for more than 50 years with his hilarious hijinks. After the birth of Curious George in 1941, six titles completed the series, which have since been translated into 12 languages. This wonderful 416-page collector's edition (with all seven of the original Curious George titles in one colorfully illustrated volume) features Curious George, Curious George Takes a Job, Curious George Rides a Bike, Curious George Gets a Medal, Curious George Flies a Kite, Curious Geor! ge Learns the Alphabet, and Curious George Goes to the ! Hospit al. The intrepid monkey--who represents the insatiably curious (and invariably accident-prone) soul in all of us-- captures the heart of everyone he meets. (Picture book)
Curious George has found a lasting place in the hearts of millions of boys and girls all over the world ever since he was brought to life by Margret and H.A. Rey more than sixty years ago. Here you will find eight timeless stories about George, the man with the yellow hat, and their friends.
"Buckle up for this amusing, exciting and hilarious adventure" (Janet Stokes, Film Advisory Board, Inc.) with everyone's favorite inquisitive little monkey! When The Man In The Yellow Hat befriends Curious George in the jungle, they set off on a non-stop, fun-filled journey through the wonders of the big city toward the warmth of true friendship. Featuring the voice talents of Will Ferrell, Drew Barrymore and an all-star cast, Curious George is "a family classic" (Dean Richards, WGN-TV) that will ! have the kid inside everyone giggling with delight again and again! Starring: Will Ferrell, Drew Barrymore, Eugene Levy, Dick Van Dyke, David Cross, Joan Plowright Directed by: Matthew O'CallaghanCurious George is the mischievous and inquisitive chimp that wins over the hearts of children everywhere. This soft plush Curious George doll is snuggable, huggable and simply irresistible. Measures 16" tall.

Friday, January 20, 2012

Dark City (Director's Cut) [Blu-ray]

  • The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a gri
GATTACA - DVD MovieConfidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by o! ne's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic a! nd heartfelt humanity. --Jeff ShannonConfidently concei! ved and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space ! travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonNo Description Available.
Genre: Science Fiction
Rating: PG13
Release Date: 11-MAR-2008
Media Type: Blu-RayStudio: Sony Pictures Home Ent Release Date: 06/01/2010In the future when one's genetic code can be altered, read and judged, Vincent, an \In-valid"", takes over the personality of one of the genetic elite in order to become a space navigator.
Genre: Science Fiction
Rating: PG13
Release Date: 11-DEC-2001Media Type: DVD"""There is No Gene for the Human Spiri! t.Studio : Sony Pictures Home Ent Release Date: 08/05/2008 Run time: 106 minutes Rating: Pg13The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a grisly murder, he soon finds himself hunted by the police, a woman claiming to be his wife and a mysterious group of pale men who seem to control everything and everyone in the city. Starring Rufus Sewell (The Illusionist), Jennifer Connelly (A Beautiful Mind), William Hurt (A History of Violence) and Kiefer Sutherland (TVs 24).If you're a fan of brooding comic-book antiheroes, got a nihilistic jolt from The Crow (1994), and share director Alex Proyas's highly developed preoccupation for styl! e over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so that even its derivative elements (and there are quite a few) acquire their own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Dark City has precious little heart and soul. One-dimensional characters are no match for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plus sets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Ale! x Proyas and producer Andrew Mason. The underground world dep! icted in the film required the largest indoor set ever built in Australia. --Jeff Shannon

Thursday, January 19, 2012

Casino Royale (Two-Disc Widescreen Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Closed-captioned; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
Newly-promoted British Secret Service agent James Bond is sent on his first mission to find and destroy Le Chiffre, a financier who funds the world's terrorist organizations.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 1-JAN-2007
Media Type: DVD

Wednesday, January 18, 2012

(27x40) Home Fries Movie Drew Barrymore Luke Wilson Original Poster Print

  • decorate your walls with this brand new poster
  • easy to frame and makes a great gift too
  • ships quickly and safely in a sturdy protective tube
  • measures 27.00 by 40.00 inches (68.58 by 101.60 cms)
Dorian Lever wants to romance unwed mother-to-be Sally Jackons but his brother Angus wants to kill her. Sally, the local drive-thru order taker, is caught up in the darkly funny family brouhaha that is largely orchestrated by the Levers' manipulative mother.er.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 1-JUN-2004
Media Type: DVDA man is frightened to death by a menacing military helicopter, piloted by two young Texan men who just happen to be the dead man's stepsons, Dorian and Angus (Luke Wilson and Jake Busey). To complicate matters, the dead man had had an affair with young Sally (Drew Barrymore), a clerk at the local Burge! r-Matic who didn't know the guy was married. Now she's pregnant and looking for a supportive guy to be her unborn child's potential father. Dorian fits the role quite nicely, but Angus thinks Sally knows about the helicopter incident, and their scheming mother (Catherine O'Hara) is trying to mastermind a cover-up, and....

So goes the cleverly amusing plot of this light, character-based romantic comedy, which proves Barrymore's charm and versatility once again, gives O'Hara one of her best roles, and moves right along at its own amiable pace. Small-town romance combines with darkly tinged comedy (scripted by X-Files staffer Vince Gilligan), and first-time director Dean Parisot guides it all with casual assurance. There's nothing going on here that's particularly inspired, but Barrymore and Wilson (an off-screen couple during production) make a delightful pair, and the cast makes the most of some hilarious down-home dialogue. All in all, a very pleasant diversion.! --Jeff ShannonSummer Catch Rock Star Home Fries Addict! ed to Lo veGrunge rock. Fast food. And da family. What's not to love? Matt Dillon leads a gifted ensemble in singles (Disc 1/Side A), Cameron Crowe's rock-laced tale of Seattle twentysomethings (including Bridget Fonda and Kyra Sedgwick) searching for and running from romance. Want fries with that? In Home Fries (Disc 1/Side B), Drew Barrymore plays an unwed mother-to-be and Burger-Matic employee who's the focus of attention of two offbeat brothers: one (Luke Wilson) who wants to marry her...one (Jake Busey) who wants to murder her. Next, Hugh Grant walks the wawk and talks the tawk as Mickey Blue Eyes (Disc 2). He becomes Noo Yawk's most unlikely mobster when his romance with a schoolteacher (Jeanne Tripplehorn) entangles him in the workings of her mob family (headed by James Caan).A man is frightened to death by a menacing military helicopter, piloted by two young Texan men who just happen to be the dead man's stepsons, Dorian and Angus (Luke Wilson and Jake Busey). To complicate ! matters, the dead man had had an affair with young Sally (Drew Barrymore), a clerk at the local Burger-Matic who didn't know the guy was married. Now she's pregnant and looking for a supportive guy to be her unborn child's potential father. Dorian fits the role quite nicely, but Angus thinks Sally knows about the helicopter incident, and their scheming mother (Catherine O'Hara) is trying to mastermind a cover-up, and....

So goes the cleverly amusing plot of this light, character-based romantic comedy, which proves Barrymore's charm and versatility once again, gives O'Hara one of her best roles, and moves right along at its own amiable pace. Small-town romance combines with darkly tinged comedy (scripted by X-Files staffer Vince Gilligan), and first-time director Dean Parisot guides it all with casual assurance. There's nothing going on here that's particularly inspired, but Barrymore and Wilson (an off-screen couple during production) make a delightful pair, and! the cast makes the most of some hilarious down-home dialogue.! All in all, a very pleasant diversion. --Jeff ShannonJoin the Pattersons for a volume full of hilarious and touching cartoon fun in Keep the Home Fries Burning. The peaks and valleys of family life, the curious revelations of children, and the patent lunacy of owning a dog-these are the simple charms that have engaged readers of the For Better of For Worse strip for decades.With Taste of Home Everyday Slow Cooker & One Dish Recipes, you more than 325 easy, economical and family friendly favorites at your fingertips!

With the busy schedules and activity-packed days, creating convenient meals at home is more popular than ever. You’ll be delighted with the dishes featured in Taste of Home's Everyday Slow Cooker & One Dish Recipes because they require less time, preparation and cleanup.

To make searching for recipes easier, the book is divided into three main sections: Slow Cookers, Stovetop Suppers and Oven Entrees. It's like having three books in one! ! Each section is broken into chapters such as beef & ground beef, poultry, pork, soup & sandwiches and more.

The convenience of a slow cooker is unmatched because it does all the work for youâ€"you don’t even have to be at home while your favorite meal simmers to perfection. In addition, slow cookers are economical because they take affordable cuts of meat and turn them into tender sensations.

The Stovetop Suppers section is full of one-pot meals you can throw together in a snap. Quick, easy and family-friendly, they require little cleanup because they usually take advantage of a skillet or Dutch oven.

And if hearty one-dish dinners are what you crave, check out the final section of this heartwarming cookbook. It features stick-to-your ribs oven specialties such as casseroles, roasts, potpies, pizzas and so much more. These meal-in-one sensations make perfect family fare, and they are especially well suited for potlucks.

So, set ! your slow cooker, grab your skillet or preheat your oven and g! et ready to dig in! Soon you’ll realize just how easy it is to make heartwarming dinner-table memories every day of the week.With Taste of Home Everyday Slow Cooker & One Dish Recipes, you more than 325 easy, economical and family friendly favorites at your fingertips!

With the busy schedules and activity-packed days, creating convenient meals at home is more popular than ever. You’ll be delighted with the dishes featured in Taste of Home's Everyday Slow Cooker & One Dish Recipes because they require less time, preparation and cleanup.

To make searching for recipes easier, the book is divided into three main sections: Slow Cookers, Stovetop Suppers and Oven Entrees. It's like having three books in one! Each section is broken into chapters such as beef & ground beef, poultry, pork, soup & sandwiches and more.

The convenience of a slow cooker is unmatched because it does all the work for youâ€"you don’t even have to be at home while your favorite meal simme! rs to perfection. In addition, slow cookers are economical because they take affordable cuts of meat and turn them into tender sensations.

The Stovetop Suppers section is full of one-pot meals you can throw together in a snap. Quick, easy and family-friendly, they require little cleanup because they usually take advantage of a skillet or Dutch oven.

And if hearty one-dish dinners are what you crave, check out the final section of this heartwarming cookbook. It features stick-to-your ribs oven specialties such as casseroles, roasts, potpies, pizzas and so much more. These meal-in-one sensations make perfect family fare, and they are especially well suited for potlucks.

So, set your slow cooker, grab your skillet or preheat your oven and get ready to dig in! Soon you’ll realize just how easy it is to make heartwarming dinner-table memories every day of the week.(27x40) Home Fries Movie Drew Barrymore Luke Wilson Original Poster Print

The Bourne Supremacy (Widescreen Edition)

  • Widescreen Edition

#1 NEW YORK TIMES BESTSELLER
 
Reenter the shadowy world of Jason Bourne, an expert assassin still plagued by the splintered nightmares of his former life. This time the stakes are higher than ever. For someone else has taken on the Bourne identityâ€"a ruthless killer who must be stopped or the world will pay a devastating price. To succeed, the real Jason Bourne must maneuver through the dangerous labyrinth of international espionageâ€"an exotic world filled with CIA plots, turncoat agents, and ever-shifting alliancesâ€"all the while hoping to find the truth behind his haunted memories and the answers to his own fragmented past. This time there are two Bournesâ€"and one must die.

No Description Available
No Track Information Available
Media Type: CD
Artist: BOURNE SUPREMACY
Title: SCORE
Street Release Date! : 07/27/2004
Domestic
Genre: SOUNDTRACKNovelist Robert Ludlum's amnesia-plagued, tough-as-nails spy/assassin Jason Bourne again proves that success begats sequels, be they literary or cinematic. As he did for the saga's initial big screen installment, composer John Powell concocts an electro-orchestral fusion score that seasons its tense, bristling rhythms with dollops of melodicism, synth-atmospherics and staccato string figures. Those welcome touches hearken back to composer's similar work on the '03 action-thriller The Italian Job, with Powell initially evoking the film's exotic locales by employing a savory synth pop-meets-Eastern European palate. The tension-building rhythms and percussion flourishes familiar from Powell's other action-centric scores are the score's musical pulse -- even if they eventually upset the finely honed balancing act by boiling over into the familiar explosive cliches of all too many thriller s! cores. --Jerry McCulleyGet ready for non-stop action, ! edge-of- your-seat suspense and spectacular chase sequences with everyone’s favorite assassin in The Bourne Trilogy! Matt Damon is Jason Bourne, an elite government agent determined to outwit and outmaneuver anyone who stands in the way of his finding out the secrets of his mysterious past. Follow his explosive, action-packed adventures in three blockbuster films from one of the most popular series of all time: The Bourne Identity, The Bourne Supremacy and The Bourne Ultimatum. Loaded with hours of bonus features, The Bourne Trilogy is the complete Bourne experience for movie fans everywhere!The Bourne Identity
Freely adapted from Robert Ludlum's 1980 bestseller, The Bourne Identity starts fast and never slows down. The twisting plot revs up in Zurich, where amnesiac CIA assassin Jason Bourne (Matt Damon), with no memory of his name, profession, or recent activities, recruits a penniless German traveler (Run Lola Run's Frank! a Potente) to assist in solving the puzzle of his missing identity. While his CIA superior (Chris Cooper) dispatches assassins to kill Bourne and thus cover up his failed mission, Bourne exercises his lethal training to leave a trail of bodies from Switzerland to Paris. Director Doug Liman (Go) infuses Ludlum's intricate plotting with a maverick's eye for character detail, matching breathtaking action with the humorous, thrill-seeking chemistry of Damon and Potente. Previously made as a 1988 TV movie starring Richard Chamberlain, The Bourne Identity benefits from the sharp talent of rising stars, offering intelligent, crowd-pleasing excitement from start to finish. --Jeff Shannon

The Bourne Supremacy
Good enough to suggest long-term franchise potential, The Bourne Supremacy is a thriller fans will appreciate for its well-crafted suspense, and for its triumph of competence over logic (or lack thereof). Pic! king up where The Bourne Identity left off, the actio! n begins when CIA assassin and partial amnesiac Jason Bourne (a role reprised with efficient intensity by Matt Damon) is framed for a murder in Berlin, setting off a chain reaction of pursuits involving CIA handlers (led by Joan Allen and the duplicitous Brian Cox, with Julia Stiles returning from the previous film) and a shadowy Russian oil magnate. The fast-paced action hurtles from India to Berlin, Moscow, and Italy, and as he did with the critically acclaimed Bloody Sunday, director Paul Greengrass puts you right in the thick of it with split-second editing (too much of it, actually) and a knack for well-sustained tension. It doesn't all make sense, and bears little resemblance to Robert Ludlum's novel, but with Damon proving to be an appealingly unconventional action hero, there's plenty to look forward to. --Jeff Shannon

The Bourne Ultimatum
The often breathtaking, final installment in the Bourne trilogy fi! nds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy. Now looking for payback, Bourne goes in search for the renegade chief of CIA operations in Europe and North Africa, partnering for a time with a mysterious woman from his past (Julia Stiles) and constantly--constantly--on the run from assassins, intelligence foot soldiers, and cops. Directed by Paul Greengrass (United 93) with the director’s thrilling, trademark textures and shaky, documentary style, The Bourne Ultimatum is largely a succession of action scenes that reveal a lot about the story’s characters while they’re un! der duress. Joan Allen, Albert Finney, David Strathairn, Scott! Glenn, and Paddy Considine comprise the film’s terrific supporting cast, and the well-traveled movie leads viewers through Turin, Madrid, Tangiers, Paris, London, and New York. Overall, this is a satisfying conclusion to Bourne’s exciting and protracted mystery. --Tom Keogh

No description available for this title.
Item Type: DVD Movie
Item Rating: PG13
Street Date: 11/04/08
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveThe Bourne Identity
Freely adapted from Robert Ludlum's 1980 bestseller, The Bourne Identity starts fast and never slows down. The twisting plot revs up in Zurich, where amnesiac CIA assassin Jason Bourne (Matt Dam! on), with no memory of his name, profession, or recent activities, recruits a penniless German traveler (Run Lola Run's Franka Potente) to assist in solving the puzzle of his missing identity. While his CIA superior (Chris Cooper) dispatches assassins to kill Bourne and thus cover up his failed mission, Bourne exercises his lethal training to leave a trail of bodies from Switzerland to Paris. Director Doug Liman (Go) infuses Ludlum's intricate plotting with a maverick's eye for character detail, matching breathtaking action with the humorous, thrill-seeking chemistry of Damon and Potente. Previously made as a 1988 TV movie starring Richard Chamberlain, The Bourne Identity benefits from the sharp talent of rising stars, offering intelligent, crowd-pleasing excitement from start to finish. --Jeff Shannon

The Bourne Supremacy
Good enough to suggest long-term franchise potential, The Bourne Supremacy! is a thriller fans will appreciate for its well-crafted suspe! nse, and for its triumph of competence over logic (or lack thereof). Picking up where The Bourne Identity left off, the action begins when CIA assassin and partial amnesiac Jason Bourne (a role reprised with efficient intensity by Matt Damon) is framed for a murder in Berlin, setting off a chain reaction of pursuits involving CIA handlers (led by Joan Allen and the duplicitous Brian Cox, with Julia Stiles returning from the previous film) and a shadowy Russian oil magnate. The fast-paced action hurtles from India to Berlin, Moscow, and Italy, and as he did with the critically acclaimed Bloody Sunday, director Paul Greengrass puts you right in the thick of it with split-second editing (too much of it, actually) and a knack for well-sustained tension. It doesn't all make sense, and bears little resemblance to Robert Ludlum's novel, but with Damon proving to be an appealingly unconventional action hero, there's plenty to look forward to. --Jeff Shannon
!
The Bourne Ultimatum
The often breathtaking, final installment in the Bourne trilogy finds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy. Now looking for payback, Bourne goes in search for the renegade chief of CIA operations in Europe and North Africa, partnering for a time with a mysterious woman from his past (Julia Stiles) and constantly--constantly--on the run from assassins, intelligence foot soldiers, and cops. Directed by Paul Greengrass (United 93) with the director’s thrilling, trademark textures and shaky, documentary style, ! The Bourne Ultimatum is largely a succession of action sc! enes tha t reveal a lot about the story’s characters while they’re under duress. Joan Allen, Albert Finney, David Strathairn, Scott Glenn, and Paddy Considine comprise the film’s terrific supporting cast, and the well-traveled movie leads viewers through Turin, Madrid, Tangiers, Paris, London, and New York. Overall, this is a satisfying conclusion to Bourne’s exciting and protracted mystery. --Tom Keogh

BOURNE SUPREMACY - DVD MovieGood enough to suggest long-term franchise potential, The Bourne Supremacy is a thriller fans will appreciate for its well-crafted suspense, and for its triumph of competence over logic (or lack thereof). Picking up where The Bourne Identity left off, the action begins when CIA assassin and partial amnesiac Jason Bourne (a role reprised with efficient intensity by Matt Damon) is framed for a murder in Berlin, setting off a chain reaction of pursuits involving CI! A handlers (led by Joan Allen and the duplicitous Brian Cox, with Julia Stiles returning from the previous film) and a shadowy Russian oil magnate. The fast-paced action hurtles from India to Berlin, Moscow, and Italy, and as he did with the critically acclaimed Bloody Sunday, director Paul Greengrass puts you right in the thick of it with split-second editing (too much of it, actually) and a knack for well-sustained tension. It doesn't all make sense, and bears little resemblance to Robert Ludlum's novel, but with Damon proving to be an appealingly unconventional action hero, there's plenty to look forward to. --Jeff Shannon

Tuesday, January 17, 2012

3D Glasses for Friday the 13th Part 3 Home DVD - upgrade from cardboard

  • lightweight
  • sturdy frames
  • stylish design
  • reduce ghosting (double images)
  • lasts a lifetime!
These are the best 3D glasses on the market today! Great for anaglyph 3D DVDs and blu ray discs including: Friday the 13th 3D, Final Destination 3D, Sharkboy and Lavagirl, Spy Kids 3D, Polar Express, Amityville 3D (U.K. edition), Fly me to the Moon, Sea Monsters, Hannah Montana 3D and more!

Armageddon

  • When an asteroid the size of Texas is headed for Earth, the worlds best deep core drilling team is sent to nuke the rock from the inside.Starring: Ben Affleck, Steve Buscemi, Keith David, Will Patton, PeterStormare, Billy Bob Thornton, Liv Tyler, and Bruce Willis.Directed By: Michael BayRunning Time: 2 hrs. 31 mins.This film is presented in "Widescreen" format.Copyright 1999 Buena Vista Format
In DEEP IMPACT, Leo Beiderman (Elijah Wood), joins a field study for his high school's Astronomy Club and discovers a new comet that unfortunately is headed for Earth. While scientists build a cave to prevent the extinction of the human race, they estimate that only 800,000 people can be selected to survive the "Deep Impact." The threat of a comet ending the world quickly sends Americans into a panic until the president announces a plan to send astronauts on a mission to destroy the comet before it rea! ches earth.A great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on vi! deo with his loved ones back on Earth, who follows whispered i! nstructi ons from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David ChuteDEEP IMPACT - Blu-Ray MovieA great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a! couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David ChuteA great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's ! headed right this way! As stiffly directed by Mimi Lede! r, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David ChuteA great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch c! lassic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David ChuteFrom the blockbuster-making team who produced and directed PEARL HARBOR and THE ROCK (Jerry Bruckheimer and ! Michael Bay) comes the biggest movie of 1998 -- ARMAGEDDON! St! arring t he explosive talents of Bruce Willis (DIE HARD), Academy Award(R)-winners Ben Affleck (GOOD WILL HUNTING) and Billy Bob Thornton (SLING BLADE), Liv Tyler (INVENTING THE ABBOTTS), Steve Buscemi (CON AIR), and Will Patton (INVENTING THE ABBOTTS), ARMAGEDDON is a meteor storm of action-adventure moviemaking that has you on the edge of your seat forgetting to breathe! When NASA's executive director, Dan Truman (Thornton), realizes the Earth has 18 days before it's obliterated by a meteor the size of Texas, he has only one option -- land a ragtag team of roughneck oil drillers on the asteroid and drop a nuclear warhead into its core. Spectacular special effects, laugh-out-loud humor, great characters, riveting storytelling, and heartfelt emotion make ARMAGEDDON an exhilarating thrill ride you'll want to experience like there's no tomorrow.The latest testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) conti! nues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Dunc! an, all adding needed touches of humor and charisma. When Bay ! applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoyThe 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and direct! or Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Bus! cemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all! adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy

Beowulf

  • ISBN13: 9780192723697
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
This is the story of a young man who travelled far across the sea to fight two terrifying monsters-one who could rip a man apart and drink his blood, the other who lived like a sea-wolf at the bottom of a dark, blood-stained lake. The young hero's name was Beowulf, and his story, first written in Anglo-Saxon in the eighth century, has become one of the world's most famous epics. Kevin Crossley-Holland retells the story for children in quick-paced, rhythmical prose accompanied by Charles Keeping's striking illustrations. Together they bring to life the beauty and power of one of the first great English poems.

Monday, January 16, 2012

Cabin Fever

  • Used - Like New

Greg Heffley is in big trouble. School property has been damaged, and Greg is the prime suspect. But the crazy thing is, he’s innocent. Or at least sort of.

The authorities are closing in, but when a surprise blizzard hits, the Heffley family is trapped indoors. Greg knows that when the snow melts he’s going to have to face the music, but could any punishment be worse than being stuck inside with your family for the holidays?

Amazon Exclusive: A Q&A with Jeff Kinney

Question: Given all the jobs that you have--game designer, fatherhood, Diary of a Wimpy Kid movie work, etc.,--do y! ou have a certain time that you set aside to write?

Kinney: I still treat writing like a hobby, working mostly at night and sometimes on weekends. But when a deadline looms my hobby time gets extended into the wee hours of the night. It's not uncommon for me to work until 4:00 a.m., and I'm usually back at work by 9:00 a.m.

Q: Did you get to choose which character you would play in the Wimpy Kid films (Mr. Hills)? What do you enjoy most about working on the movies?

Kinney: I never any real desire to appear in the Wimpy Kid films, but one day my wife encouraged me to be an extra in one of the crowd scenes. So I walked onto the set, ready to ask the assistant director to put me somewhere in the back. It happened that right at that moment the director was looking for someone to play the role of Mr. Hills, Holly Hills's father. What I didn't realize was that I'd be front and center in the church scene, and in the new movie! , I'm even more prominent. I'm incredibly self-conscious so ap! pearing on-camera was a real stretch for me.

Q: In 2009 Time magazine named you as one of the 100 Most Influential People in the World--what’s the first thing you did after you found out?

Kinney: I thought it was a practical joke, so I tried to track down the source of the joke. I eventually reached a voicemail of a reporter who said they worked for Time, and at that point I thought it was just a well-planned practical joke. It took me a while to realize it was for real. It was a big honor, but I don't take it very seriously. I'm the fourth most influential person in my own house.

Q: Would you ever consider making Wimpy Kid into a newspaper comic strip or creating another one? Do you have any favorite comic strips that you currently read?

Kinney: I've considered it. I set out to become a newspaper cartoonist but failed to break in. But I like the freedom books give me, so it would be tough to c! ram my ideas into three or four panels.

Q: What is (or could be) you motto in life?

Kinney: I was inspired to write by a Benjamin Franklin quote: "Well done is better than well said." But I always encourage kids to "create something great," because the tools to create something original and find an audience are available to them like never before.

Q: What was your favorite year in school, and why?

Kinney: Fifth grade was my favorite year. I had a great teacher, Mrs. Norton, who encouraged me to be funny and challenged me to be a better artist and joke-teller than I was. I liked it that she didn't coddle me.

Q: Kids now ask for a book that is “like Diary of a Wimpy Kid,” and with this series you’ve created a whole new subset of books for young readers--how does it feel to be the person behind such massive book enjoyment, reaching reluctant readers, and spawning any number of ! titles that aspire to be “the next Wimpy Kid?”

!

< b>Kinney: I'm happy that kids are reading. I think graphical books reach kids who might otherwise see books as work. Books should be fun!

A modern Waldenâ€"if Thoreau had had three kids and a minivanâ€"Cabin Fever is a serious yet irreverent take on living in a cabin in the woods while also living within our high-tech, materialist culture.
 
Try to imagine Thoreau married, with a job, three kids, and a minivan. This is the serious yet irreverent sensibility that suffuses Cabin Fever, as the author seeks to apply the hermit-philosopher’s insights to a busy modern life.
 
Tom Montgomery Fate lives in a Chicago suburb, where he is a husband, father, professor, and active member of his community. He also lives in a cabin built with the help of friends in the Michigan woods, where he walks by the river, chops wood, and reads Thoreau by candle light.
 
While he divides his time between suburbia and the cabin, Fate’s po! int is not to draw a line between the two but to ask what each has to say about the other. How do we balance nature (picking blackberries) with technology (tapping BlackBerrys)? What is revealed about human boundaries when a coyote wanders into a Quiznos? Can a cardinal protecting chicks from a hungry cat teach us anything about instincts and parenting? Fate seeks a more attentive, deliberate way of seeing the world and our place in it, not only among the trees and birds but also in the context of our relationships and society.
 
A seasonal nature memoir, Cabin Fever takes readers on a search for the wild both in the woods and within ourselves. Although we are often estranged from nature in our daily lives, Fate shows that we can recover our kinship with the earth and its other inhabitants if we are willing to pay attention.
 
In his exploration of how we are to live “a more deliberate life” amid a high-tech, material world, Fate invites reade! rs into an interrogation of their own lives, and into a new ki! nd of vi sion: the possibility of enough in a culture of more.

 

Love isn’t something she thinks she needs…until it lands right on her doorstep.
 
Genevieve Boden is a witch and doesn’t care who knows. The townspeople’s fear of her keeps away those who have hurt her beforeâ€"like the local men of authority. Besides, a life of exile deep in the woods of West Virginia is due punishment, she figures, for the part she played in her mother’s death. If she’s alone, no one need know that the trauma took away her powers.
 
Then she finds a bloody, fatally wounded man slumped on her porch. In an instant, her healing ability reawakensâ€"and that’s not all. He stirs a hunger beyond her wildest dreams. But a relationship with the new chief of police? Not a chance.
 
Alex Rivera isn’t sure how he survived, but he’s certain his beautiful savior did more than just bandage his wounds. Capti! vated by this wary angel and stunned by the depth of emotion he feels for her, he vows to discover her secrets. After all, thanks to the raging snowstorm, they have nothing to do but share body heat.
 
Their sizzling attraction goes straight to their hearts. So could a killer’s bullet…once whoever shot Alex finds them.
 
Warning: Contains a convenient snowstorm that throws together two wounded characters who happen to be wildly attracted to each other, a drool-worthy hero, a shotgun-toting heroine, mattress sex, shower sex, couch sex, armchair sex, some light bondage, and a really good cup of hot cocoa.
 

 

A log cabin in the woods is one of America's most cherished icons -- a dream shared around the world. As the stress level of city life rises, more and more of us are imagining our own cottages far away from traffic lights and urban distractions. Cabins in the wilderness have never gon! e out of style, because the rustic life is a simple, rewarding! one roo ted in the traditions of the great outdoors.

Featuring rustic interiors as well as North Woods architecture, Cabin Fever visits more than two dozen charming retreats old and new, large and small, in the mountains and along the water, from the wilds of New York out to the wild, wild West. Author Rachel Carley explains where our love for the rustic comes from and shows the amazingly varied guises in which it appears today.

After serving as settlers' cabins, log homes enjoyed a phenomenal popularity in the late nineteenth century. Wealthy families such as the Vanderbilts, Guggenheims, and Carnegies summered in areas as remote as they could find, building what were euphemistically called camps. Those less affluent, following the era's prescription for fresh air and simplicity, traveled to even more rustic hotels and vacation cabins to get their share of the refreshing woods. Cabin Fever presents some of the best of these old lodges and private cabins, along! with striking new homes that give a contemporary twist to the ideal of the rustic life.

To help fill a cabin, a whole camp, or even an apartment with the latest in rustic style, the book's catalogue shows where to find home furnishings from twig bedsteads to Hudson Bay blankets to Adirondack chairs. Brimming with exceptionally creative ideas for achieving this truly American look, this enchanting guide to living with the rustic style will cure every variety of cabin fever.The craze for "getting away from it all" in buildings of log, stone, and unpainted lumber has been a part of American life since the 1800s. From the Gilded Age retreats of the Catskills and Adirondacks to the rugged Wild West lodges of Yellowstone and Yosemite, Cabin Fever celebrates the architectural elements that make cabin style unique: gleaming hand-peeled and polished logs, cowhide sofas, and river-rock fireplaces. Some are large, old, and built as public lodgings, like Putnam Camp,! the Adirondack summer retreat founded by philosopher William! James, which still has the cheerful austerity it had when Freud and Jung mingled there with Harvard academicians. Others, like the grand hunting lodge nestled on the edge of a marsh, are more recent monuments to quirky private visions of the perfect rustic retreat. Rooms in both are accessorized with animal heads, native American blankets and art, snowshoes, antler chandeliers, and willow twig furniture. The book's appendix includes catalog sources for everything from small wooden summerhouses to buffalo-plaid blankets, and a list of hotels in the grand old style (like Yosemite's Ahwahnee and the Grand Canyon's El Tovar). Even if you can't have a piece of the wilderness to call your own (and the burl furniture to match), you can still enjoy the rustic yet substantial comforts of Cabin Fever.When Naomi is scarred by a horrible crime, her old seductress ways were put to rest, while she coped with the fact that men did not find her attractive anymore. Yet, when she ! ventures on the Internet and finds a man who will love her despite her appearance, she realizes that beauty is only skin deep, but deception is ugly to the bone.When Naomi is scarred by a horrible crime, her old seductress ways were put to rest, while she coped with the fact that men did not find her attractive anymore. Yet, when she ventures on the Internet and finds a man who will love her despite her appearance, she realizes that beauty is only skin deep, but deception is ugly to the bone.This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understan! ding of the imperfections in the preservation process, and hop! e you en joy this valuable book.CABIN FEVER - DVD MovieA sneaky and surprisingly smart horror flick, Cabin Fever sets up all the cliches of its particular subgenre (what might be called the "sexy young people go into the woods" horror movie, featuring hostile redneck locals, dead animals on hooks, cars that suddenly stop running, etc.) and by the end has played a clever twist on every standard element, often to darkly comic effect. What's the plot? Well, five sexy young people (Rider Strong, Jordan Ladd, Joey Kern, Cerina Vincent, and James DeBello) go to an isolated cabin where they contract a nasty bacteria that eats their flesh; this, combined with a bad-tempered dog and a party-loving police deputy (Giuseppe Andrews, giving a particularly funny performance), leads everyone into confusion and bloody chaos. Some of the ironic twists are a little obvious, but most of them effectively subvert your expectations to entertaining effect. --Bret Fetzer

Famous Stars and Straps Filth and Fury Skateboard Deck (7.75-Inch)

  • Doin our own thing since 99'
  • Making Noise and Influencing People
  • Limited edition collectors skate decks
  • Each deck is layered with durable adhesive, then pressurized to allow for the unique, concave shape
  • The layers are made up of laminated wood and covered with a clear lacquer finish
"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock a! nd Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see! everyday."Ever get the feeling you've been cheated?" sneers J! ohnny Ro tten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all! their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand! of rock & roll that became the rallying cry for angry, disa! ffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even! footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker
The official companion to the Fine Line Features documentary film.

The Sex Pistols burst onto the music scene in 1976 and smashed up everything they touched. Their revolutionary sound energized disaffected youth worldwide while their larger-than-life singer, John Lydon (aka Johnny Rotten), and bass player, Sid Vicious, captured headlines throughout the Pistols' twenty-six-month reign as the lads who created punk.

For the first time, John Lydon, Paul Cook, Glen Matlock, Steve Jones, and Sid Vicious tell their story together in their own words through new interviews and archival material. Raw and engaging, The Filth and the Fury captures the emotions and egos that fueled the Pistols' rise to fame and ultimately brought them down.

Dive from the stage i! nto The Filth and the Fury.
"Ever get the feel! ing you' ve been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history les! son, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker7.75" Skate deck with printed graphics

Saturday, January 14, 2012

House of Wax (Widescreen Edition)

  • House of Wax tells the story of a group of friends who fall prey to a sinister plot while passing through a small town on their way to a college football game.Running Time: 113 min. Format: DVD MOVIE Genre: HORROR Rating: R Age: 085393894528 UPC: 085393894528 Manufacturer No: 38945
House of Wax tells the story of a group of friends who fall prey to a sinister plot while passing through a small town on their way to a college football game.You know the one about the group of horny kids who get offed one by one? Yeah, so do director Jaume Collet-Serra and his screenwriters, who have updated an old Vincent Price flick and sandwiched it between hearty slices of The Blair Witch Project and various Friday the 13th films. Lots of WB and Fox network hotties--including 24's Elisha Cuthbert, One Tree Hill's Chad Michael Murray, and, well, Paris Hilton--have car trouble a! nd stumble onto a town populated by real killer personalities. The R-rated result is fairly gruesome and, though no one ever quite looks frightened enough, Collet-Serra knows his way around a jolting suspense sequence or two. Cuthbert and an unintentionally funny Murray (striking ludicrous poses as some kind of real toughie) act more like angry ex-lovers than the fraternal twins they're supposed to be; Hilton acts bored while her real-life video scandal is exploited for ironic kicks; and the film heads shamelessly over-the-top with each new twist. As an exercise in bloody mayhem, it has a few novel touches, but you can easily find better scares. --Steve Wiecking

Friday, January 13, 2012

Dragon Hunters

  • DRAGON HUNTERS - DVD (DVD MOVIE)
When the peaceful inhabitants of the beautiful planet Terra come under attack from the last surviving members of humanity adrift in an aging spaceship, the stage is set for an all-out war between the two species for control of the planet. But will an unlikely friendship between a rebellious young Terrian (voiced by Evan Rachel Wood) and an injured human pilot (Luke Wilson) somehow convince their leaders that war is not the answer?Earthlings are the bad guys in this animated saga, which was released to theaters in 3-D. And the good guys? That would be the Terrans, big-eyed little tadpole creatures whose planet is about to be invaded by human beings in search of a permanent living space--and hey, if the atmosphere of this alien planet isn't exactly fit for humans, the visitors can always blast the place with an oxygen-producing terra-forming machine that will ma! ke it habitable. The only collateral damage is that the natives will be killed off. Huh? As you can see, the allegorical undertones here are, well, overtones, all of which might seem less heavy-handed if the story were absorbing and the characters were compelling, but director Aristomenis Tsirbas concentrates on the environmental message and the non-show-offy 3D design. We mostly follow a Terran (voiced by Evan Rachel Wood) who comes upon a lone astronaut (Luke Wilson), much to the confusion of her Terran quasi-boyfriend (Justin Long). In the absence of a lot of plot excitement, kids might take some enjoyment in the nerdy declarations of a cute robot (David Cross). Can the brutal intentions of the invading general (Brian Cox) be stopped in time to save Terra? Will you still be awake to learn the answer? --Robert Horton


Stills from Battle for Terra (Click for larger image)
When the peaceful inhabitants of the beautiful planet Terra come under attack from the last surviving members of humanity adrift in an aging spaceship, the stage is set for an all-out war between the two species for control of the planet. But will an unlikely friendship between a rebellious young Terrian (voiced by Evan Rachel Wood) and an injured human pilot (Luke Wilson) somehow convince their leaders that war is not the answer?Earthlings are the bad guys in this animated saga, which was released to theaters in 3-D. And the good guys? That would be the Terrans, big-eyed little tadpole creatures whose planet is about to be invaded by human beings in search of a permanent living space--and hey, if the atmosphere of this alien planet isn't exactly fit for humans, the visitors can always blast the place with an oxygen-producing terra-forming machine that will make it habitable. The only collateral damage is ! that the natives will be killed off. Huh? As you can see, the ! allegori cal undertones here are, well, overtones, all of which might seem less heavy-handed if the story were absorbing and the characters were compelling, but director Aristomenis Tsirbas concentrates on the environmental message and the non-show-offy 3D design. We mostly follow a Terran (voiced by Evan Rachel Wood) who comes upon a lone astronaut (Luke Wilson), much to the confusion of her Terran quasi-boyfriend (Justin Long). In the absence of a lot of plot excitement, kids might take some enjoyment in the nerdy declarations of a cute robot (David Cross). Can the brutal intentions of the invading general (Brian Cox) be stopped in time to save Terra? Will you still be awake to learn the answer? --Robert Horton


Stills from Battle for Terra(Click for larger image)
KAENA:PROPHECY - DVD MovieOriginally a co! mputer-g enerated, animated feature presented in 3-D, the French-American Kaena: The Prophecy still looks eye-poppingly spectacular in a regular, two-dimensional format. The post-apocalyptic tale concerns an adventurous young woman, Kaena (voiced in English by Kirsten Dunst), who is a member of a race--one of many--that inhabit an enormous tree called the Axis, rising 100 miles from Earth's surface. While her people's leader, Opaz (Richard Harris), insists his tribe's sole purpose is collecting sap and honoring the gods who provide sustenance, Kaena is more interested in exploring. Signs that the Axis might be dying sends Kaena on a mission to find out why; along the way she encounters a slavemaster race, the Selenites, and their vicious queen (Anjelica Huston). Fantastic to look at, Kaena: The Prophecy is graphically dense, constantly moving, and truly inventive when it comes to designing creatures that appear equal parts vegetable and animal. --Tom KeoghZoe is ! a little girl who believes in fairy tales. In order to help her uncle Lord Arnold get rid of a terrible dragon, Zoe decides she has to find some heroes. When she meets Gwizdo and Lian-Chu, a couple of two-bit, fly-by-night dragon hunters, she decides that she s going to believe in them and set out on an adventure to bring peace to the land.

Wednesday, January 11, 2012

Al Franken - God Spoke

  • Political satirist Al Franken follows up his best-selling book LIES AND THE LYING LIARS WHO TELL THEM with this feature film. AL FRANKEN: GOD SPOKE follows the inimitable figure over a two-year period in which he campaigns against George W. Bush's reelection and takes well-aimed swipes at a number of big political targets. Runtime: 84 minutes Format: DVD MOVIE Genre: DOCUMENTARIES
An intimate & hilarious behind-the-scenes look at the life of the former saturday night live comedian turned author radio host & political satirist. Studio: New Video Group Release Date: 04/24/2007 Run time: 84 minutesIn God Spoke, Nick Doob and Chris Hegedus (The War Room) shine a light on political satirist Al Franken. The "flaming sword of justice" explains his left-leaning career like this, "They [right-wing pundits] say something ridiculous, and then I subject them to scorn and ridicule." The ! filmmakers, longtime associates of cinéma verité pioneer DA Pennebaker, take a fly-on-the-wall approach towards Franken's activities around the time of the 2004 presidential election and afterwards as he explores a run for the US Senate in 2008. They look at the (unsuccessful) lawsuit Fox News filed against him for swiping their tagline, his involvement in the upstart Air America network, and his dust-ups with Ann Coulter, Sean Hannity, Michael Medved, and Bill O'Reilly, who describes him as "a vile human being." Along the way, they follow the Minnesota-born comedian on book tours and speaking engagements, occasionally flashing back to his two-decade long stint on Saturday Night Live. God Spoke is an expansion of the Sundance Channel short The First Amendment Project: Fox vs. Franken and covers some of the same ground as HBO's America Undercover: Left of the Dial. In other words, there isn't a ton of new material here, but this "fair and balanc! ed" profile represents an entertaining introduction to a multi! -talente d individual. Without Franken, it's hard to imagine a place in the world for The Daily Show and other media designed to expose "lies and the lying liars who tell them," as his 2003 bestseller would have it. --Kathleen C. Fennessy

Machine Head - Elegies

  • To witness the Machine Head live experience is to understand both the band s unique internal chemistry and the undeniable bond they share with their audience that has been honed and strengthened through nearly seven years of non-stop worldwide touring. Touted by many as the best live band in metal, favorites from their debut, Burn My Eyes and their latest, Through The Ashes of Empires, typically f
Respected cultural critic and author David Kepesh (Ben Kingsley) is a middle-aged college professor who, for years, has lived in a state of "emancipated manhood." His romantic conquests are many; his lasting commitments, few. But when a stunning young student named Consuela Castillo (Penelope Cruz) enters his life, her otherworldly beauty captivates him to the point of obsession. Soon, their erotic relationship evolves into an undying and passionate love in this gripping drama that explores the powe! r of love to blind, reveal and transform.There are very few men who wouldn’t eagerly sell their souls to be with Penelope Cruz (or whatever character she happens to be playing). But with Elegy, director Isabel Coixet and screenwriter Nicholas Meyer (adapting a novel by Philip Roth) pose some thorny questions: How many are willing, let alone able, to see past a woman’s beauty and embrace her true being? And when beauty fades, what then? David Kepesh (Ben Kingsley) is a successful New York author, teacher, and literature maven; a semi-celebrity due to regular TV appearances, he’s self-satisfied if not exactly smug, seemingly unconcerned about his advancing age (he’s now in his sixties, but as he tells us in voice-over, "In my head, nothing’s changed") or his strained relationship with the son (Peter Sarsgaard) who still resents him for abandoning his marriage years ago, and content with his occasional and purely sexual relationship with a middle-aged business! woman (Patricia Clarkson). All of that changes when Consuela C! astillo (Cruz) enrolls in one of his classes. More than 30 years his junior, she’s not just gorgeous but mature and smart as well. And for all his worldly cool, charm, and experience, once he’s involved with Consuela, David turns into just another possessive, jealous, obsessed ("On the nights she isn’t with me, I am deformed"), and insecure man, convinced that it’s only a matter of time before their age difference pulls them apart. It’s a given that David will see to it that his self-fulfilling prophecy comes true. But will his lies and fear of commitment prove to be his ruination, or will the tragedies that ensue help him find a path to redemption? The film’s various performers (including Dennis Hopper as David’s best pal) and overall sophisticated, grownup tone, along with Cruz’s almost impossible beauty, make Elegy consistently watchable and compelling. --Sam GrahamIn these tales, now available in trade paperback, Batwoman battles a madwoman known on! ly as Alice, inspired by Alice in Wonderland, who sees her life as a fairy tale and everyone around her as expendable extras! Batwoman must stop Alice from unleashing a toxic death cloud over all of Gotham City â€" but Alice has more up her sleeve than just poison, and Batwoman’s life will never ever be the same again.Handsome womanizer C?esar is disfigured in a car wreck, and as he attempts to pick up the pieces of his life, bizarre situations and events seem to occur as a result of his accident.
Genre: Foreign Film - Spanish/misc SA
Rating: R
Release Date: 18-DEC-2001
Media Type: DVDImagine if an actor's director like Eric Rohmer--whose films consist almost entirely of conversation between pairs or small groups of people--made a film that incorporated elements from movies like Dark City, eXistenZ, The Thirteenth Floor, The Truman Show, and Total Recall. The result might resemble Alejandro Amenaba! r's remarkable second feature, Open Your Eyes, which fa! vors ide as over effects and offers twist upon twist with mind-warping agility. This film rewards multiple viewings, pushing the viewer toward one perception of reality, then switching to another until reality itself is called into question. Melodrama, love story, and psychological thriller combine with a dash of science fiction, forming a plot that is both disorienting and deceptively precise.

Set in Madrid, the story defies description, but this much can be revealed: young, handsome Cesar (Eduardo Noriega) is vain, rich, charming, and--following a botched suicide-murder scheme by a jilted lover--horribly disfigured. He'd fallen in love with Sofia (Penélope Cruz) but is now an embittered husk of his former self, stuck in a "psychiatric penitentiary" on a murder charge and hiding behind an expressionless mask. His reality has crumbled, but as the film's agenda is gradually revealed, we realize that there are other factors in play. Exposing that agenda would be a criminal offense! against those who haven't seen the film; suffice it to say that Open Your Eyes takes you into the twilight zone and beyond, and does so cleverly enough to prompt Tom Cruise to produce and star in an English-language remake, Vanilla Sky. The 2001 remake, directed by Cameron Crowe, costars Cameron Diaz and Penélope Cruz, who reprises her original role. --Jeff ShannonLarry Levis was an outstanding poet, and a student and colleague of Philip Levine. Levine, who edited this posthumous manuscript, writes that Levis's "early death is a staggering loss for our poetry, but what he left is a major achievement that will enrich our lives for as long as poetry matters." That's high praise, and the poems in Elegy are sturdy enough to carry the weight of those expectations. Especially striking is "The Oldest Living Thing in L.A.," an encounter between urbanites trapped within the prisons of their routines, and an ancient-seeming possum crossin! g a busy city street: "It would lift its black lips & show the! m / The reddened gums, the long rows of incisors, / Teeth that went all the way back beyond / The flames of Troy & Carthage..." Levis's writing is marked by memorable imagery that resonates both to the world of our daily lives and our mythic longings for transcendence.

The winner of the 2007 National Book Critics Circle Award in Poetry, and a 2008 New York Times Notable Book
 
Look at herâ€"It’s as if
The windows of night have been sewn to her eyes.

                                          â€"from “Ode to History”
No Description Available
No Track Information Available
Media Type: DVD
Artist: MACHINE HEAD
Title: ELEGIES
Street Release Date: 10/11/2005
Domestic
Genre: HEAVY METAL

Beloved

  • Toni Morrison
  • Beloved
  • paperback
  • vintage
  • 1400033411
(Book Jacket Status: Jacketed)

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling he! rself Beloved, Sethe’s terrible secret explodes into the present.

Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

A dead child, a runaway slave, a terrible secret--these are the central concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her ! best. To modern readers, antebellum slavery is a subject so f! amiliar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners of the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above! me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of her baby's death start to make terrible sense. And as past meets present in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America! , the one that all others will be measured by. --Alix Wilb! erSt aring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never ! named, thought of only as Beloved.

A dead child, a runaway slave, a terrible secret--these are the central concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a ! device that deprives its wearer of speech. "Days after it was ! taken o ut, goose fat was rubbed on the corners of the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her mem! ories, the horrifying circumstances of her baby's death start to make terrible sense. And as past meets present in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix Wilber

Beaver's Revenge [Ad-Free]

  • Take revenge on the lumberjacks in this physics-based slingshot game
  • Launch 6 unique forest critters and destroy the constructions protecting the lumberjacks
  • Progress through 4 different worlds and 80 unlockable levels
  • Enjoy 3D graphics and playful sound effects
  • Submit high scores and earn achievements with OpenFeint

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