Dust to Glory: An Overview of the Bible with R.C. Sproul Boxed Set

• 57 23 minute messages on 18 video tapes
• Old Testament Volumes: Creation & Blessing, The Giving of the Law, The Land and Its People, The Prophets I, The Prophets II, and The Wisdom Books.
• New Testament Volumes: The Coming of Christ, Jesus' Early Ministry, His Later Ministry, The Early Church, The Growing Church, and The End Times
• Two boxed slipcovers (9 tapes fit in each)
• 18 video tapes with individual covers

Don't be surprised if you feel a dry, tickling sensation in the back of your throat after watching the slam-bang racing documentary Dust to Glory. It's probably from the lingering sand and silt spewed from the knobby wheels of an array of machines that skitter from one end of the Baja Peninsula to the other. Using 90 cameras in a variety of formats, director Dana Brown captures the giddy danger of the race with truly visceral force. In 1967, a few Californi! a thrill-seekers had the Eureka spirit to take their homemade race cars for some whooping-up in the wide-open land just a few hours away. Since then, the Baja 1000 has turned into a party-fueled happening that's more akin to Burning Man than the Indy 500. It's billed as the world's longest nonstop race, running point-to-point for 1,000 miles through the Mexican desert from Tijuana to La Paz--pretty much the entire length of Baja.
Dana Brown is the son of Bruce Brown, whose 1966 film The Endless Summer sparked a surfing craze, and still holds up as an incomparable ode to the existential surfing lifestyle. Dust to Glory is by no means so profound and uses more of a Warren Miller thrill-marketing style (he of the annual throwaway extreme-skiing films). Cameras swoop down from helicopters, careen through silt, and are put into tracks over which vehicles pass at extreme speeds. In spite of the adrenaline rush, Dust to Glory is ultimately more about what people think about ! the higher implications of the competition.

From the cre! ators of Step Into Liquid comes this absolutely exhilarating film about the most notorious and dangerous race in the world: the Tecate SCORE Baja 1000. Showcasing Mario Andretti, Robby Gordon, Johnny Campbell and J.N. Roberts, and packed with awesome helicopter footage, in-your-face POV shots and stories of raw courage, Dust to Glory follows a wild assortment of motorcycles, dune buggies, ATV quads and tricked-out trucks in a 32-hour dash across 1,000 miles of unforgiving terrain and delivers such pulse-pounding thrills that you feel like you've been there . Don't be surprised if you feel a dry, tickling sensation in the back of your throat after watching the slam-bang racing documentary Dust to Glory. It's probably from the lingering sand and silt spewed from the knobby wheels of an array of machines that skitter from one end of the Baja Peninsula to the other. Using 90 cameras in a variety of formats, director Dana Brown captures the giddy danger of the race with truly vis! ceral force. In 1967, a few California thrill-seekers had the Eureka spirit to take their homemade race cars for some whooping-up in the wide-open land just a few hours away. Since then, the Baja 1000 has turned into a party-fueled happening that's more akin to Burning Man than the Indy 500. It's billed as the world's longest nonstop race, running point-to-point for 1,000 miles through the Mexican desert from Tijuana to La Paz--pretty much the entire length of Baja.

Dana Brown is the son of Bruce Brown, whose 1966 film The Endless Summer sparked a surfing craze, and still holds up as an incomparable ode to the existential surfing lifestyle. Dust to Glory is by no means so profound and uses more of a Warren Miller thrill-marketing style (he of the annual throwaway extreme-skiing films). Cameras swoop down from helicopters, careen through silt, and are put into tracks over which vehicles pass at extreme speeds. In spite of the adrenaline rush, Dust to Glo! ry is ultimately more about what people think about the hi! gher imp lications of the competition. One veteran finisher describes it this way: "It's like having all 10,000 close calls of your life in one day. It makes regular life feel like slow-motion." --Ted FryJoin Dr. Sproul on a unique study tour as he explores the major themes, events, and people that are brought to life in the Bible. Dust to Glory provides a panorama of biblical truth and a starting point to help you understand the content of the Bible. Dust to Glory can energize your study of the Bible, provide you with new insights, and improve your ability to read, understand, and apply Scripture to your life.

"I believe that Dust to Glory is the most important teaching tool Ligonier has produced. It is our prayer that it will serve you in your desire to grow in the knowledge and love of God. As Christians, we are called to be people of the Word. My hope is that Dust to Glory will encourage, stimulate, and assist you to master the Scriptures so that the Scriptures may! master you."
- Dr. R.C. Sproul

Fifty-seven 23-Minute MessagesStudio: Monterey Home Video Release Date: 09/04/2007 Run time: 88 minutesWritten By: Wes Brown (Editor)

Starring: Bruce Brown (narrator), Larry Berquist, Larry Minor, Parnelli Jones, Malcolm Smith

Directed By: Bruce Brown Thrill to the only motorcycle race footage never before on video from the sport¹s most legendary filmmaker Bruce Brown (the Academy Award ® nominated On Any Sunday), in the second running of one of the most famous off road races in the world, the historic Baja 1000.

Professional racers, movie stars and thrill seekers from around the globe race across the rugged and unforgiving Mexican Baja peninsula. A 1000 miles of punishing desert test man and motorcycle, dune buggies, 4-wheel drive vehicles, and even passenger cars in this exhausting and epic struggle against Baja¹s grueling terrain and against each other. Actor James Garner, racing legend! s Parnelli Jones and Motorcycle Hall of Famer Malcolm Smith al! l took p art in this famous race .

Unearthed from the family vault, with Bruce BrownÅ's all new interviews and commentary, Wes Brown (BruceÅ's grandson) and partner TJ Barrack bring three generations of the Brown family together to showcase the remarkable talent that forever captured the sport¹s legendary riders.

DVD Extras: About the Baja 1000, About the RidersBy strumming his guitar with words of inspiration, Woody Guthrie instilled hope in the hearts of downtrodden Americans everywhere during the 1930s Depression. Now, the extraordinary life of this legendary balladeer and poet is captured in this "elegantly crafted, hugely beautiful and interesting film, which reveals loving integrity in every frame" (Los Angeles Times)! Winner* of two OscarsÂ(r) and starring David Carradine, Bound for Glory features "magnificent cinematography" (New York) and an amazing score adaptation. It's 1936, and the Great Depression is forcing droves of people from the dust bowls of Texa! s to the alluring green fields of California...and unemployed sign-painter Woody Guthrie is among them. Determined to find a better life out west, Guthrie hitchhikes, hops freight trains and sings his way across America, uplifting the spirits of the poor with his homespun wisdom and fiercely fighting for a better life for all. Featuring classic Guthrie tunes including "This Land Is Your Land," this "moving, inspiring" (The Hollywood Reporter) portrait of an American icon is "one of [the] year's most admirable and triumphant surprises" (Los Angeles Times)! *1976: Cinematography, Music (Adaptation Score)Hal Ashby (The Last Detail, Being There) directed this lyrical and affecting 1976 biography of legendary folk singer Woody Guthrie. David Carradine gives a powerful performance as the traveling Depression-era vagabond whose music affected generations. Guthrie is portrayed as an earnest soul whose passion and empathy for the working class spurs him to inspiration! al heights. Ronny Cox (Deliverance, Beverly Hills Co! p) p lays a union organizer who sees the value in Guthrie's words and music and persuades him to put his music to good use for the people struggling to earn a living wage. Featuring Melinda Dillon as Guthrie's wife, this easygoing travelogue conveys an authentic sense of period Americana and won Academy Awards for Haskell Wexler's cinematography as well as for the score based on Guthrie's own music. Bound for Glory is an important film to see for anyone in love with the origins of folk music and interested in its place in the 20th century. --Robert Lane Join Dr. Sproul on a unique study tour as he explores the major themes, events, and people that are brought to life in the Bible. "Dust to Glory" provides a panorama of biblical truth and a starting point to help you understand the content of the Bible. "Dust to Glory" can energize your study of the Bible, provide you with new insights, and improve your ability to read, understand, and apply Scripture to your life. R. C. Sproul is known by clergy and laity for his ability to clearly communicate deep, practical truths from God's Word. Through Ligonier Ministries, R. C.'s goal is to awaken as many people as possible to the holineso fGod by proclaiming, teaching, and defending God's holiness in all its fullness.

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The Encyclopedia of Small Business Forms and Agreements: A Complete Kit of Ready-to-Use Business Checklists, Worksheets, Forms, Contracts, and Human Resource Documents With Companion CD-ROM

• ISBN13: 9781601382481
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The growth in scope and importance of the private military and security industry in the past decade has challenged the role of the state as the main provider of defence and security functions. At the same time it has put under stress the state's authority to properly oversee the conduct of private contractors and has raised the question of whether existing rules of domestic law and international law are adequate to ensure their accountability in the event of abuse. This book addresses this question through the lens of international human rights law and international humanitarian law. It presents a systematic analysis of the way in which these two bodies of international law, applicable in times of peac! e and in the event of armed conflict, may be interpreted and implemented in a way so as to fill possible accountability gaps.

Human rights and humanitarian law obligations are analysed from the point of view of their applicability to the states involved, to international organizations, and to the companies and their individual employees. Victims' access to civil remedies and the criminal prosecution of private contractors, as well as new policy issues, such as the use of private contractors in the fight against piracy, are also covered in the book.

Those who wish they had a resource in which every possible small business form and agreement they have ever encountered was located can breathe a sigh of relief. The Encyclopedia of Small Business Forms and Agreements is the answer, as it will provide small business owners with ready-to-use checklists, worksheets, forms, contracts, and human resource documents. Inside these pages you will find over 250 essential documen! ts for all your hiring, firing, intellectual property, Interne! t, techn ology, legal, merger, acquisition, money, fundraising, sales, marketing, and starting a business needs. In essence, this book is a small business survival kit packed with materials you can use for every aspect of your job.

This encyclopedia and companion CD-ROM focuses on the issues, situations, and tasks that you, as a small business owner, face every day when running your business, such as incorporation, board and shareholder resolutions, partnership agreements, business plans, insurance, employee applications, employment policies, termination, job descriptions, employee benefits, sales and service contracts, bills of sale, invoices, press releases, raising capital, venture capital, license agreements, confidentiality and non-disclosure agreements, letters of intent, term sheets, domain names, e-commerce contracts, release forms, demand letters, litigation, and arbitration.

Included in this comprehensive book are hundreds of easy-to-implement tools, contracts! , forms, and checklists that will help you organize your business and make it easier to manage while increasing your bottom line. With its professionally organized format, this book takes you step by step through the valuable forms, which may be easily printed out and customized, thanks to the convenient companion CD-ROM. <\p>

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B.A.P.S.

• Can two clueless Georgia homegirls with big hearts -- and even bigger hair -- find happiness, fame and thrills in the swank hills of Beverly? Anything is possible when you are B.A.P.'sRunning Time: 91 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Age: 794043692529 UPC: 794043692529 Manufacturer No: N6925

Can two clueless Georgia homegirls with big hearts -- and even bigger hair -- find happiness, fame and thrills in the swank hills of Beverly? Anything is possible when you are B.A.P.'sWhat was director Robert Townsend thinking? His movies, such as The Five Heartbeats and The Hollywood Shuffle, are sweet, enjoyable little pictures. But this "comedy" about two flashy Georgia women hoping to find money and men in Los Angeles is stereotypical, unfunny, embarrassing, and boring. Halle Berry and newcomer Natalie Desselle are trapped in pitiful roles playing against the disti! nguished but miscast Martin Landau and a wasted Ian Richardson. B.A.P.S., by the way, stands for black American princesses. There are better urban comedies out there, the badly named Booty Call for one. --Rochelle O'Gorman

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Earth 2 - The Complete Series

• Actors: Debrah Farentino, Clancy Brown, Jessica Steen, Antonio Sabato.
• Format: Box set, Closed-captioned, Color, Dolby, Full Screen, NTSC.
• Language: English. Subtitles: English, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Not Rated. Run Time: 1025 minutes.

Another Earth is an unusual hybrid of existential rumination on life choices, mind-bending sci-fi supposition, and challenging indie art film that moves at a pace that is often maddeningly oblique. Based on the marketing campaign, which plays up the science-fiction angle and special effects (of which there are very few, consisting mainly of offhand composite shots), the movie seems to be trawling for an audience that may be sorely disappointed by all the roundabout and often repetitive philosophically conceptual ideas that are hard to follow. That's not to say that Another Earth isn't rich! in ideas or absorbing in its own right as a meditation on how specific moments play out and affect the cascade of alternatives that follow in their wake. Using broadly impressionistic and experimental strokes, the story follows the disjointed meanderings of 17-year-old Rhoda, who causes a tragic accident while driving drunk after celebrating her acceptance into college. The collision happens when she becomes distracted by the mesmerizing planetary image glowing above her car's moon roof, which has just been identified as an exact duplicate of Earth. After four years of incarceration, she continues to suffer terrible remorse and tries to find a way to make peace with herself and the older man whose life and family she all but destroyed, and who is now crippled by depression. Her initial self-imposed penance is to adopt the role of an anonymous maid who comes to clean his decrepit house every week. As precious few details are added to their individual and mutual evolution an! d motivation, the constant of the alternate Earth, which has b! een stea dily moving closer (along with its mirror-image Moon), hovers in the day and night sky, gazed upon with wonder and a growing idea that maybe it represents the redemption Rhoda can't find on her own. A corporate contest that will allow an ordinary citizen to make a shuttle trip to Earth 2 (or is it Earth 1?) becomes the catalyst for her belief that she can fundamentally alter both their lives for the better, but the movie never shows its hand in how or if this might work. Another Earth is another of those high-minded indie dramas that relies a little too heavily on rambling structure, shaky handheld digital camera, and arty shots of things like the play of light, clouds, and swirling dust motes to convey the corners of its characters' sometimes fascinating, sometimes inscrutable souls. Much has been made of the film's final shot, which is truly stunning in its unexpectedness and implications. But what those implications are will be cause for unending debate among viewe! rs, many of who may never be able to come up with a satisfying answer. --Ted FryJJ Abrams and Steven Spielberg join forces in this extraordinary tale of youth, mystery, and adventure. Super 8 tells the story of six friends who witness a train wreck while making a Super 8 movie, only to learn that something unimaginable escaped during the crash. They soon discover that the only thing more mysterious than what it is, is what it wants. Experience the film that critics rave is, “filled with unstoppable imagination and visual effects to spare. It will put a spell on you.” â€" Peter Travers, Rolling StoneFew filmmakers have ever had a run at the tables like Steven Spielberg, whose output from 1971's Sugarland Express to, say, 1982's E.T. displayed an amazingly unforced melding of huge set pieces and small human gestures. Even at their most chaotic, they somehow felt organic. Super 8, writer-director J.J. Abrams's authorized tribute to! classic Spielbergisms, hits all of the marks (Lived-in suburb! ia backd rop, check. Awestruck gazes upwards, check. Parental discord, check. Lens flares, amazingly huge check), but its adherence to the formula squelches much of its own potential. Appealing as it is to see a summer movie that retro-prioritizes character development over jittery quick-cut explosions, the viewer is always aware at how furiously it's working to seem effortless. Set in 1979, Abrams's script follows a group of movie-crazy kids attempting to make a zombie flick, only to have their plans cut short by a close encounter with a train derailment. As the military pours over the wreckage and neighbors start disappearing, the gang realizes that their footage contains a cameo appearance by an extremely grumpy guest star. For a film whose promotional campaign hinged so strongly on creating an air of mystery, Super 8 is a fairly straightforward melding of E.T. and Jurassic Park, albeit one featuring an oddly schizophrenic monster (he eats people… until he d! oesn't). Abrams makes his young cast shine (particularly when developing a hint of romance between leads Joel Courtney and Elle Fanning), while also providing a nice character arc for Kyle Chandler, as a widowed deputy who can see his relationship with his son slipping away. Aside from a few primo early jolts, however, the creature-feature aspects feel increasingly shoehorned in alongside the more assured coming-of-age elements. Abrams's film has more than enough bright spots to warrant a viewing, but its insistence on worshipfully following the master's playbook is a bit of a bummer. Imitation isn't always flattering. --Andrew WrightThe story centers around a family with three boys in the 1950s. The eldest son witnesses the loss of innocence. Studio: Tcfhe Release Date: 10/11/2011 Starring: Brad Pitt Jessica Chastain Run time: 181 minutes Rating: Pg13 Director: Terrence MalickThe long front lawns of summer afternoons, the flicker of sunlight as it sprays throu! gh tree branches, the volcanic surge of the Earth's interior a! s the pl anet heaves itself into being--you certainly can't say Terrence Malick lacks for visual expressiveness. The Tree of Life is Malick's long-cherished project, a film that centers on a family in 1950s Waco, Texas, yet also reaches for cosmic significance in the creation of the universe itself. The Texas memories belong to Jack (Sean Penn), a modern man seemingly ground down by the soulless glass-and-metal corporate world that surrounds him. We learn early in the film of a family loss that happened at a later time, but the flashbacks concern only the dark Eden of Jack's childhood: his games with his two younger brothers, his frustrated, bullying father (Brad Pitt), his one-dimensionally radiant mother (Jessica Chastain). None of which unfolds in anything like a conventional narrative, but in a series of disconnected scenes that conjure, with poetry and specificity, a particular childhood realm. The contributions of cinematographer Emmanuel Lubezki and production designer ! Jack Fisk cannot be underestimated in that regard, and it should be noted that Brad Pitt contributes his best performance: strong yet haunted.

And how does the Big Bang material (especially a long, trippy sequence in the film's first hour) tie into this material? Yes, well, the answer to that question will determine whether you find Malick's film a profound exploration of existence or crazy-ambitious failure full of beautiful things. Malick's sincerity is winning (and so is his exceptional touch with the child actors), yet many of the movie's touches are simultaneously gaseous (amongst the bits of whispered narration is the war between nature and grace, roles assigned to mother and father) and all-too-literal (a dinosaur retreats from nearly killing a fellow creature--the first moments of species kindness, or anthropomorphic poppycock?). The Tree of Life premiered at the Cannes Film Festival and won the Palme d'Or there after receiving boos at its press screening! . The debate continues, unabated, from that point. --Robert! Horton< /i>Another Earth is an unusual hybrid of existential rumination on life choices, mind-bending sci-fi supposition, and challenging indie art film that moves at a pace that is often maddeningly oblique. Based on the marketing campaign, which plays up the science-fiction angle and special effects (of which there are very few, consisting mainly of offhand composite shots), the movie seems to be trawling for an audience that may be sorely disappointed by all the roundabout and often repetitive philosophically conceptual ideas that are hard to follow. That's not to say that Another Earth isn't rich in ideas or absorbing in its own right as a meditation on how specific moments play out and affect the cascade of alternatives that follow in their wake. Using broadly impressionistic and experimental strokes, the story follows the disjointed meanderings of 17-year-old Rhoda, who causes a tragic accident while driving drunk after celebrating her acceptance into college. Th! e collision happens when she becomes distracted by the mesmerizing planetary image glowing above her car's moon roof, which has just been identified as an exact duplicate of Earth. After four years of incarceration, she continues to suffer terrible remorse and tries to find a way to make peace with herself and the older man whose life and family she all but destroyed, and who is now crippled by depression. Her initial self-imposed penance is to adopt the role of an anonymous maid who comes to clean his decrepit house every week. As precious few details are added to their individual and mutual evolution and motivation, the constant of the alternate Earth, which has been steadily moving closer (along with its mirror-image Moon), hovers in the day and night sky, gazed upon with wonder and a growing idea that maybe it represents the redemption Rhoda can't find on her own. A corporate contest that will allow an ordinary citizen to make a shuttle trip to Earth 2 (or is it Earth 1! ?) becomes the catalyst for her belief that she can fundamenta! lly alte r both their lives for the better, but the movie never shows its hand in how or if this might work. Another Earth is another of those high-minded indie dramas that relies a little too heavily on rambling structure, shaky handheld digital camera, and arty shots of things like the play of light, clouds, and swirling dust motes to convey the corners of its characters' sometimes fascinating, sometimes inscrutable souls. Much has been made of the film's final shot, which is truly stunning in its unexpectedness and implications. But what those implications are will be cause for unending debate among viewers, many of who may never be able to come up with a satisfying answer. --Ted FryA science-fiction series with an ecological theme, EARTH 2 only ran for one season on NBC, and all 22 episodes of the program are collected here. In the distant future, the surface of the Earth has been largely destroyed, and mankind lives in space stations orbiting the planet. A group of! space colonists, led by Devon Adair (Debrah Farentino) and John Danzinger (Clancy Brown), are sent to a far off planet to prepare it for colonization by the surviving population of Earth. But a mishap sends them careening off-course, crash landing thousands of miles from the proper camp site. EARTH 2 follows the band of colonists as they traverse the planet, encountering dangerous aliens and other humans who view them with distrust and suspicion. By tackling issues like ecology and colonization, EARTH 2 engages important ideas and themes in an entertaining fashion.

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Amadeus - Director's Cut (Two-Disc Special Edition)

• Director's Cut
• 2-Disc Special Edition

THE INCREDIBLE STORY OF WOLFGANG AMADEUS MOZART, TOLD INFLASHBACK MODE BY ANTONIO SALIERI - NOW CONFINED TO AN INSANE ASYLUM.The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Salieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality, but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognize and cultivate both Mozart's talent and career, he's also consumed with envy and i! nsecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruelest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris Bueller's principal, is particularly wonderful as the bumbling emperor (with the voice of a modern midlevel businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay, and Best Picture. --Jim EmersonGripping human drama. Sumptuous period epic. Glorious celebration of the music of Wolfgang Amadeus Mozart. This marvelous ! winner of eight Academy Awards(R) portrays the rivalry between! the gen ius Mozart (Tom Hulce) and the jealous court composer (Best Actor Oscar(R) Winner F.Murray Abraham) who may have ruined Mozart's career and shortened his life. A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the director's-cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes." Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill will towards Salieri when she discovers him at her husband's deathbed, and we see deeper into the reasons why Mozart has no students. The s! tructure of the picture is otherwise unaltered.

The director's cut of Amadeus finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc. Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerized by the movie to do much more than offer the odd anecdote. The second disc contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner, and all the main actors, taking in the scriptwriting, choice of music, casting, and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker

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Batman & Robin Vol. 1: Batman Reborn

• ISBN13: 9781401229870
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Cryogenic scientist gone wrong, Mr. Freeze wants to turn Gotham City into a frozen wasteland. Poison Ivy has revenge on her mind after a toxic run-in with a Wayne Enterprises scientist. While she has designs on Mr. Freeze, his cold heart is consumed only by his demented plans. With the addition of Batgirl, the dynamic duo become a trio. Will Gotham survive?Following Val Kilmer's portrayal of the caped crusader in Batman Forever, the fourth Batman feature stars George Clooney under the pointy-eared cowl, with Chris O'Donnell returning as Robin the Boy Wonder. This time the dynamic duo is up against the nefarious Mr. Freeze (Arnold Schwarzenegger), who is bent on turning the world into an! iceberg, and the slyly seductive but highly toxic Poison Ivy (Uma Thurman), who wants to eliminate all animal life and turn the Earth into a gigantic greenhouse. Alicia Silverstone lends a hand as Batgirl, and Elle McPherson plays the thankless role of Batman/Bruce Wayne's fiancée. A sensory assault of dazzling colors, senseless action, and lavish sets run amok, this Batman & Robin offers an overdose of eye candy, but it is strictly for devoted Bat-o-philes. --Jeff ShannonNew from the award-winning team behind ALL-STAR SUPERMAN!

Grant Morrison and Frank Quitely, the creative team of ALL-STAR SUPERMAN, reunite to tell the adventures of the all-new Batman and Robin.

The new Dynamic Duo hits the streets with a bang in their new fl ying Batmobile to face an assemblage of villains called the Circus of Strange. They also tackle their first mission investigating a child who’s been abducted by the mysterious Domino Killer. But will everything go smoothly? ! And who exactly are the new Batman and Robin? The newest era o! f The Da rk Knight begins here!

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Coraline (Two-Disc Blu-ray/DVD Combo w/ Anaglyph 3D)

• Format: AC-3, Animated, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, 3D, Widescreen
• Language: English, Spanish, French
• Aspect Ratio: 1.85:1
• Run Time: 100 minutes
• Actors: Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders, Dawn French

From the Director of The Nightmare Before Christmas comes a visually stunning stop-motion animated feature! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Critics are hailing Coraline as "a remarkable feat of the imagination" (Kenneth Turan, Los Angeles Times). Directed by: Henry SelickIncludes: 3D Glasses (4 pairs) From the Director of The Nightmare Befor! e Christmas comes a visually stunning stop-motion animated feature - the first to be originally filmed in 3-D! Discover how the filmmakers and artisans created the magical handmade world of Coraline, exclusively in this 2-Disc Collector's Edition! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Coraline is "A visual marvel." (Claudia Puig, USA TODAY). Directed by: Henry SelickA dark and creepy film about family relationships directed by Henry Selick of Nightmare Before Christmas and James and the Giant Peach fame, Coraline is based on the haunting book Coraline by Neil Gaiman. The first stop-motion feature shot in stereoscopic 3-D, Coraline features big-headed, stick-bodied animated! characters with huge eyes and demonic grins set against menac! ing back grounds and an undercurrent of spooky music. Coraline is a teenager who has just moved to an old house in the middle of nowhere with her writer parents and she is bored, bored, bored. Her only companions are an annoyingly talkative boy Wybie (short for Why Born), some eccentric neighbors from the theater and circus, and a strange, button-eyed doll with a marked resemblance to Coraline which Wybie found in an old trunk of his grandmother's. When Coraline finds an old door hidden behind an armoire and papered over with wallpaper, she convinces her mother to unlock it, only to find a wall of bricks. When Coraline revisits the door later that night, the bricks magically disappear and she discovers a strange pathway to another world where everything is just what she wishes for. In stark contrast to the real world where Coraline's parents just don't have time for her, her "Other Mother" and "Other Father" in this alternate world are the perfect loving, attentive parents who antici! pate her every need and desire. Initially comforted and quite happy in this new world, suspicion that things may not be quite as they seem grows inside Coraline and her disquiet is furthered by the mute "Other Wybie" and a strange-talking cat that seems to move between both worlds. Eventually, Coraline discovers some dark secrets about her "other parents" and the seemingly perfect "other world," but it may be too late for her to escape back to the real world. Teri Hatcher is especially effective in her dual (voice) role as Mom and "Other Mom" and Dakota Fanning also gives a great performance as Coraline. Coraline is a disturbing, intriguing film that both captivates and frightens. (Ages 11 and older) --Tami Horiuchi

Stills from Coraline (Click for larger image)

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