Saturday, September 10, 2011

Whiteout

  • Condition: New
  • Format: DVD
  • Color; Dolby; DVD; Widescreen; Dubbed; Subtitled; NTSC
A story of love lost and found in a small town, Snow Angels is a heartrending portrayal of three couples in various stages of life orbiting around each other in search of connection and meaning. An unexpected act of violence disrupts the lives of these intertwined couples revealing the profound moments in which they each realize how precarious and remarkable life can be.Since 2000’s George Washington, his disarming debut, David Gordon Green has thrown in his lot with an assortment of down-on-their-luck characters. That empathetic tendency comes to fruition in Snow Angels, his most carefully-calibrated feature. Like a marginally more upbeat Ice Storm, solemnity never gives way to cynicism. The narrative revolves around a circle of small-town individuals (filmed in snow-cover! ed Halifax, the action takes place somewhere on the East Coast). Restaurant worker Annie (Kate Beckinsale, in a career peak performance) is estranged from sporadically-employed high school sweetheart Glenn (Joshua's Sam Rockwell). The two have their own child, but in her younger days, Annie took care of co-worker Arthur (Lords of Dogtown's Michael Angarano), now a teenager himself. Arthur still carries a torch for his former babysitter, while artsy classmate Lila (Juno's Olivia Thirlby) finds him equally appealing. With the adult relationships around him crumbling--including that of his own parents (Jeanetta Arnette and Griffin Dunne)--Lila’s flirtatious behavior leaves Arthur flummoxed. When Glenn finds out about his wife's affair with the married Nate (Grindhouse's Nicky Katt), pent-up tensions give way to full-blown tragedy. In adapting Stewart O'Nan's novel, Green sets his film in the present rather than 1970s Pennsylvania, but the story is! universal enough to work in any time or place. In the film's ! press no tes, Rockwell says: "I believe the film is about second chances. Some of the people in the film get them, some don't." Fortunately, Green doesn't short-change a single one. --Kathleen C. FennessyLone u.S. Marshal the only one assigned to antarctica must investigate a murder and track down a serial killer on the frozen continent within three days before the dark winter begins. Studio: Warner Home Video Release Date: 01/19/2010 Starring: Kate BeckinsaleBaby, it's cold outside: that's the problem for U.S. Marshal Carrie Stetko (Kate Beckinsale), the only law-enforcement officer assigned to Antarctica. On the verge of shipping out before the really bad weather hits, Carrie is confronted with a mysterious murder that sounds like a riddle: how'd a lone corpse find its way to the middle of an ice field, as though dropped from a great height? And what's this have to do with the prologue about a Soviet fighter jet crashing some decades earlier? Whiteout, based on the! graphic novel by Greg Rucka, solves these questions in a brisk if mostly preposterous manner, and it moves swiftly enough so you don't have to spend too much time on the plausibility of it all. Among the other snowbound stragglers are a U.N. investigator (Gabriel Macht, of The Spirit), some cocky pilots (Alex O'Laughlin, Columbus Short), and a grizzled doctor (Tom Skerritt). If the presence of Skerritt conjures up memories of Alien, with its ten-little-Indians structure and female warrior, hold on--Whiteout doesn't actually have a supernatural twist to it, and Beckinsale is no Sigourney Weaver. But director Dominic Sena (undistinguished by his cheesy film Swordfish) puts the screws to the material in a relentless way, and the vast exteriors (shot in Canada) are impressive. And when it comes to one particular wow-you're-really-going-there instance of potential amputation for a main character, the film doesn't back down. In fact it sort of revels ! in the moment. --Robert Horton

Jess Franco's Count Dracula (Special Edition)

  • Count Dracula is a highly atmospheric adaptation of theic Bram Stoker novel, directed with panache by auteur Jess Franco (Venus in Furs, The Diabolical Dr. Z). Screen icon Christopher Lee (Horror of Dracula, Lord of the Rings: The Fellowship of the Rings) portrays the titular Count Dracula, who flees the cold confines of his Carpathian castle for the shores of England, where he must feed on the bl

Count Dracula is a highly atmospheric adaptation of the classic Bram Stoker novel, directed with panache by auteur Jess Franco (Venus in Furs, The Diabolical Dr. Z).

Screen icon Christopher Lee (Horror of Dracula, Lord of the Rings: The Fellowship of the Ring) portrays the titular Count Dracula, who flees the cold confines of his Carpathian castle for the shores of England, where he must feed on the blood of beautiful Lucy (Soledad Miranda, Vampyros Le! sbos) and Mina (Maria Rohm, 99Women) in order to grow youthful and stay alive.

Also featuring excellent performances by Herbert Lom (The Ladykillers) as Van Helsing and Klaus Kinski (Nosferatu the Vampyre) as Renfield, as well as an ominous score by Bruno Nicolai (Eugenie de Sade, The Night Evelyn Came Out of the Grave), Count Dracula is presented for the first time on DVD in the U.S.

Jess Franco, the Spanish director known for soft-core films featuring vixens in various precarious situations, successfully incorporates Bram Stoker's Dracula into his repertoire with Count Dracula. Starring Hammer's Dracula Christopher Lee, this film is unrelated to the Hammer films, to its credit. This film may be the most accurate telling of Stoker's classic vampire story, so faithful is it to the novel, even to include many of the book's lines in the script. With an array of truly Gothic, medieval sets, and a cast well-versed i! n horror, including Klaus Kinski (Werner Herzog's Nosferatu! ) as Renfield, and Soledad Miranda (Vampyros Lesbos) as Lucy, Count Dracula authentically captures Stoker's careful blend of physical monstrosity and sexual fetish to portray the Count's quest for eternal life. For example, few vampire films besides Franco's take time to feature Lucy and her lover Quincy's blood transfusions that reinforce blood's metaphoric connection to sexual desire. Moreover, Maria Rohm plays Mina Harker with the proper innocence to serve as a foil character to her promiscuous friend, Lucy. Dr. Van Helsing, in this film, gets ample opportunity to sleuth vampirism. Franco relays the story of this Transylvanian count who leaves his castle in the Carpathian mountains for a house in England by accentuating the sexual aspects of the plot, which is what any Franco fan would hope for. Additionally enlightening is this DVD's featurette, in which Franco describes his theories about vampire films. --Trinie Dalton

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