Tuesday, September 6, 2011

Closing the Ring

  • From Academy Award-winning director Richard Attenborough (Gandhi) comes this sweeping romance starring Shirley MacLaine (Terms of Endearment), Christopher Plummer (A Beautiful Mind), Mischa Barton (TV's The O.C.), and Neve Campbell (The Company). Moving seemlessly through time, this lush epic follows a beautiful 1940's Michigan girl (Barton) secretly married to a WWII pilot who crashes in the hill
A former small-town golden boy (Matt Long) and his new girlfriend (Jessica Stroup) come back to visit his hometown and discover his high school sweetheart (Mischa Barton) has developed an unhealthy obsession with him. His ex-girlfriend̢۪s desperation slowly but surely becomes apparent, and all hell breaks loose as she does everything it takes to get him back.From Academy Award-winning director Richard Attenborough (Gandhi) comes this sweeping romance starring Shirley MacLaine (Terms of Endearment),! Christopher Plummer (A Beautiful Mind), Mischa Barton (TV's The O.C.), and Neve Campbell (The Company). Moving seemlessly through time, this lush epic follows a beautiful 1940's Michigan girl (Barton) secretly married to a WWII pilot who crashes in the hills near Belfast, Ireland. 50 years later his wedding ring resurfaces -- along with the smoldering secrets that have kept the widow (MacLaine), her estranged daughter (Campbell) and devoted friend (Plummer) each from finding true love.A love story spanning more than five decades, Closing the Ring may appeal to fans of The Notebook. Academy Award-winning director Richard Attenborough (Ghandi) utilizes shifting time frames to tell the story of Ethel Ann and WWII fighter pilot Teddy. The two fall madly in love and secretly marry in a sweet ceremony that is destined for tragedy. When Teddy's plane is shot down in Belfast, he is discovered by an Irish boy who makes a promise to the dying soldier--he will re! turn the wedding band to Teddy's young widow in the United Sta! tes. Fla sh forward to the 1990s: An elderly Ethel Ann (Shirley MacLaine) is at her husband Chuck's funeral. He was never the love of her life and Ethel Ann had always lived her life full of "what ifs." Her grieving daughter Marie (Neve Campbell) notices the void, but can't comprehend why her mother has never been happy. When Teddy's wedding band is finally returned to Ethel Ann--50 years after his death--the memento opens up a floodgate of emotions, and Ethel Ann is able to get some closure on a part of her life that she has tried so hard to both forget and remember. As a family friend points out to Marie, "Everybody needs to cry, and your mother never did." At times slow and uneven, Closing the Ring rings true in the modern-day vignettes. MacLaine is exquisite in her role, as is Christopher Plummer as a longtime friend. But when the scenes flash back to the 1940s, the younger actors don't share the same on-screen chemistry or charisma. Mischa Barton is beautiful as the young! Ethel Ann, but her moments with Stephen Amell (as Teddy) are a little forced. Campbell brings intelligence and gravity to her role, but is underused in the film. Viewers can't help wonder how different the tone of the movie may have been had she been cast as the younger Ethel Ann. --Jae-Ha Kim

CHRISTIE BRINKLEY 24X36 B&W POSTER PRINT

  • Description: High Quality real photograph printed on Fuji Paper.
  • Size: 24X36 inches
As an art student in Paris, Christie Brinkley was approached by a photographer for a one-shot assignment that turned out to be a career-maker. This 44-minute Intimate Portrait, narrated by Brinkley's good friend Jill Rappaport, takes viewers from the supermodel's girlhood in Malibu with her brother, their beloved stepfather, and mother through her four marriages and astonishing career. Cooperating with this Lifetime effort are model agency owner Eileen Ford, agent Nina Blanchard, ex-husband Billy Joel, current husband Peter Cook, various friends, all immediate family members, and Brinkley herself. The result is a warm and detailed look at her triumphs--three Sports Illustrated swimsuit-issue covers in a row, the longest ever Cover Girl contract, a successful book and calendars, a! nd three happy children. At the same time, neither Brinkley nor the producers shy from discussing her trials: a near-fatal helicopter crash, the death of a cherished boyfriend, and three failed marriages. This comprehensiveness makes for a well-rounded portrait of one of today's more upbeat celebrities. --Kimberly HeinrichsHailed by audiences and critics around the world as mesmerizing (The Detroit News), this second installment of writer/director Godfrey Reggio's apocalyptic qatsi trilogy is quite simply one of the most magnificent visual and aural spectacles ever made (L.A. Daily News)! Combining stunning cinematography with the exquisite music of award-winning composer Philip Glass, Powaqqatsi is a breathtaking experience working on many levels'emotional, spiritual, intellectual andaesthetic (The Hollywood Reporter)! Bold, haunting and epic in scale, this extraordinary film calls into question everything we think we know about contemporary society. B! y juxtaposing images of ancient cultures with those of modern ! life, Po waqqatsi masterfully portrays the human cost of progress. It is a film that engages the soul as well as the mind; it is truly an absorbing experience (Movies on TV and Videocassette).Powaqqatsi, or "life in transformation," is the second part of a projected trilogy of experimental documentaries whose titles derive from Hopi compound nouns. The now legendary Koyaanisqatsi, or "life out of balance," was the first. Naqoyqatsi, or "life in war," once it obtains funding, will be the third. Powaqqatsi finds director Godfrey Reggio somewhat more directly polemical than before, and his major collaborator, the composer Philip Glass, stretching to embrace world music.

Reggio reuses techniques familiar from the previous film (slow motion, time-lapse, superposition) to dramatize the effects of the so-called First World on the Third: displacement, pollution, alienation. But he spends as much time beautifully depicting what various cultures have lost--coo! perative living, a sense of joy in labor, and religious values--as he does confronting viewers with trains, airliners, coal cars, and loneliness. What had been a more or less peaceful, slow-moving, spiritually fulfilling rural existence for these "silent" people (all we hear is music and sound effects) becomes a crowded, suffocating, accelerating industrial urban hell, from Peru to Pakistan. Reggio frames Powaqqatsi with a telling image: the Serra Pelada gold mines, where thousands of men, their clothes and skin imbued with the earth they're moving, carry wet bags up steep slopes in a Sisyphean effort to provide wealth for their employers. While Glass juxtaposes his strangely joyful music, which includes the voices of South American children, a number of these men carry one of their exhausted comrades out of the pit, his head back and arms outstretched--one more sacrifice to Caesar. Nevertheless, Reggio, a former member of the Christian Brothers, seems to maintain ho! pe for renewal. --Robert Burns Neveldine Christie Brink! ley: A t Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!

Twitter Delicious Facebook Digg Stumbleupon Favorites More

 

web log free