50 Golden Greats

• SHADOWS THE 50 GOLDEN GREATS

Determined to accompany her father to the California gold fields, a young girl stows away in one of the westward bound wagons and finds herself involved in an adventure that requires all her wits and emotional resources.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.UK collection of all the great's from one of the world's foremost insrumental groups. Released to commemorate the 40th anniversary of their hit, 'Apache'. This compilation features all their chart successes including their instrumental interpretaions of 'Nights ! In White Satin', 'Whiter Shade Of Pale', 'Thunderbirds Theme' and 'God Only Knows'. 2000 release. Double slimline jewel case.

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The Town (Two-Disc Extended Cut) [Blu-ray]

• TOWN, THE BLU-RAY (BLU-RAY DISC)

Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting.) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in! recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, and he soon finds there's more to the story than anyone could possibly imagine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a fl! air for this directing thing and that his little brother can c! arry a m ajor motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. FennessyGone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River." It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private dete ctives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting.) Hot on the heels of his moving tu! rn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, and he soon finds there's more to the ! story than anyone could possibly imagine. Hard-hitting, but ne! ver soft -headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. Its territory is defined by hard heads and even harder luck; its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don’t want the case. But after pleas from the child’s aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound yellow-haired Scandinavian who'd some! how arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have to convince another mutual chum, the gun dealer Bubba Rugowski, that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready. Without sentimentalizing the grot! esque figure of Cheese, Lehane tells us enough about his past! to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditional law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the War, Sacred. --Dick ! AdlerGONE BABY GONE is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River." It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private dete ctives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (MILLION DOLLAR BABY) and Ed Harris (POLLACK).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting.) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as ! his primary concerns. First off, there's low-rent private eye ! Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, and he soon finds there's more to the story than anyone could possibly imagine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along! with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. FennessyGone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane (Mystic River).
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting.) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in ! recent years. Ostensibly, a procedural about the search for a ! missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, and he soon finds there's more to the story than anyone could possibly imagine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a maj! or motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. A territory defined by hard heads and even harder luck, its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don't want the case. But after pleas from the child's aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl-lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound yellow-haired Scandinavian who'd somehow arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have ! to convince another mutual chum, the gun dealer Bubba Rugowski! , that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready. Without sentimentalizing the grotesque figure of Cheese, Lehane tells us enough about his past to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditi! onal law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the War, Sacred. --Dick Adler

The tough neighborhood of Dorchester is no place for the innocent or the weak. A territory defined by hard heads and even harde! r luck, its streets are littered with the detritus of broken f! amilies, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don't want the case. But after pleas from the child's aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl-lost.

Amanda McCready was four years old when she vanished from her blue-collar Boston neighborhood. Patrick Kenzie and Angela Gennaro risked everything to find herâ€"only to orchestrate her return to a neglectful mother and broken home.

Twelve years later, Amanda, now sixteen, is gone again.

The disappearance of little Amanda was the case that troubled Kenzie and Gennaro more than any other. Still haunted by their consciences, they must now revisit the nightmare that once tore them apartâ€"following the trail of a lost teenager into a world of identity thieves, methamphetamine dealers, and Russian gangsters, right up to the doorstep of a da! ngerously unstable crime boss and his demented wife. Once again Patrick and Angie will be putting everything that matters to them on the line in pursuit of the answer to the burning question: Is it possible to do the right thing and still be dead wrong?

Amazon Best Books of the Month, November 2010: It’s tough going for a good man in a messed-up world, particularly in Dennis Lehane's Boston. Patrick Kenzie knows he did the right thing twelve years ago (during the events in Gone, Baby, Gone) when he located missing 4-year-old Amanda McCready and returned her to her neglectful mother, even though she would’ve been better off with her kidnappers. That doesn’t mean he’s had an easy time living with his decision. In Moonlight Mile, Patrick is still scraping by as a freelance PI, but now he’s married to his former partner Angie Gennaro and with a daughter of his own. When Patrick learns that once again Amanda McCready’s gone mis! sing, his conscience gets the better of him and he's soon on t! he trail of the enigmatic 16-year-old, only to discover that the moral complexity of his work has not lessened with time. And neither has Lehane's talent as a top-notch crime writer. Much like a cup of Dunkin' Donuts coffee, Lehane never fails to satisfy and the latest Patrick and Angie story is no less addictive. --Shane HansanuwatBen Affleck follows his acclaimed Gone Baby Gone directorial debut by directing, co-writing and starring in a taut thriller about robbers and cops, friendship and betrayal, love and hope and escaping a past that has no future. He plays Doug MacRay, leader of a Boston bank robber gang but not cut from the same cloth as his fellow thieves. When Doug falls into a passionate romance with the bank manager (Rebecca Hall) briefly taken hostage in their last heist, he wants out of this life and out of the town. As the Feds close in and the crew questions his loyalty, he has one of two choices: betray his friends or lose the woman he loves. Jon Ham! m, Jeremy Renner, Blake Lively, Titus Welliver, Pete Postlethwaite and Chris Cooper also star.Ben Affleck worked triple-time on The Town, in which he directs, stars, and co-adapts Chuck Hogan's Prince of Thieves. Affleck's Doug MacRay comes from a line of Boston bank robbers. With his father (Chris Cooper) behind bars, he spent most of his childhood in Charlestown with loyal hothead Jem (The Hurt Locker's Jeremy Renner). Doug had a chance to go legit as a pro hockey player, but he threw it away on drugs and bad behavior. After the armed robbery that opens the film, Jem becomes convinced that bank manager Claire (Vicki Cristina Barcelona's Rebecca Hall) saw something, so Doug, who wore a disguise at the time, sets out to make sure she doesn't tell FBI agent Frawley (Mad Men's Jon Hamm) anything incriminating (Titus Welliver plays Frawley's partner). Doug starts by asking Claire out, and finds she's more shaken than stirred--and that he like! s her better than Jem's oxy-addicted sister, Krista (Gossip! Girl's Blake Lively), his sometime girlfriend. Unfortunately, neither Jem nor vicious enforcer Fergie (Pete Postlethwaite) will cut him loose until he orchestrates two more scores--the last to take place at Fenway Park. If The Town offers fewer surprises than Affleck's directorial debut, Gone Baby Gone, he raises the stakes with well-planned heists, nerve-jangling car chases, and deadly shootouts. Though Affleck looks too clean-cut to portray a thug, he gives a nicely understated performance, while Hall proves an inspired choice as a woman who could make a bad guy turn good--or die trying. --Kathleen C. Fennessy

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Donnie Brasco (Special Edition)

• TESTED

DVDBased on a memoir by former undercover cop Joe Pistone (whose daring and unprecedented infiltration of the New York Mob scene earned him a place in the federal witness protection program), Donnie Brasco is like a de-romanticized, de-mythologized version of The Godfather. It offers an uncommonly detailed, privileged glimpse inside the world of organized crime from the perspective of the little guys at the bottom of Mafia hierarchy rather than from the kingpins at the top. Donnie Brasco is not only one of the great modern-day gangster movies to put in the company of The Godfather films and GoodFellas, but it is also one of the great undercover police movies--arguably surpassing Serpico and Prince of the City in richness of character, detail, and moral complexity. Donnie (Johnny Depp, a splendid actor) is practically adopted by Lefty Rug! giero (Al Pacino), a gregarious, low-level "made" man who grows to love his young protégé like a son. (Pacino really sinks into this guy's skin and polyester slacks, and creates his freshest, most fully realized character since his 1970s heyday.) As Donnie acclimates himself to Lefty's world, he distances himself from his wife (a terrific Anne Heche) and family for their own protection. Almost imperceptibly his sense of identity slips away from him. Questioning his own confused loyalties, unable to trust anybody else because he himself is an imposter, Donnie loses his way in a murky and treacherous no-man's land. The film is directed by Mike Newell, who also headed up Four Weddings and a Funeral and the gritty, true crime melodrama Dance with a Stranger. --Jim Emerson

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Doom 3

• First-person shooter
• Fight back against a demonic invasion of a Mars research facility
• Built with id Software's newest 3D graphics engine
• Cinema-quality visuals and 5.1 surround sound
• Single-player and online

A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban, they descend into the Olduvai Research Station, where they find a legion of nightmarish creatures, lurking in the darkness, killing at will. Once there, the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. Based on the hugely popular video game, Doom is an explosive action-packed thrill ride! Starring: Dwayne ''The Rock'' Johnson, Karl Urban, Rosamund Pike, Deobia Oparei, Ben Daniels, Raz Adoti, Richard Brake, Brian Steele, Doug Jones, Dwayne 'The Rock' Johnson Directed b! y: Andrzej BartkowiakGrab your BFG and get ready to kick some Martian-demon butt in Doom, another entry in the increasingly crowded videogame-to-movie genre. The Rock plays Sarge, the commander of a squad of Marines sent to investigate a disturbance at a scientific research facility on Mars. Among the squad is John Grimm (Karl Urban, who played Eomer in The Lord of the Rings), who turns out to have had a previous relationship with Samantha (Rosamund Pike, Die Another Day), the scientist who's accompanying the Marines in order to retrieve some vital data from the facility. Based on id Software's legendary first-person shooter, Doom tries its best to look like a game, with dark, angled corridors, ferocious creatures appearing out of nowhere, and a variety of lethal weapons that will, like the aforementioned BFG, warm the cockles of a gamer's heart. There's also one memorable sequence that actually turns the movie into a first-person shooter; th! e good news is that in the context of the whole film, it's not! quite a s goofy as it might have been. And that's not a bad frame of reference for the film in general. Considering the game-to-movie field includes such duds as Wing Commander, if you go into Doom with low expectations, you'll probably find it a surprisingly respectable horror/sci-fi thriller in the Resident Evil vein (including its somewhat obligatory subplot of corporate wrongdoing). Also in its favor is that it's unabashedly R-rated, for the extreme gore that is a trademark of the game. After all, the purpose of the movie is to pack scares and thrills into a setting that gamers will quickly recognize. In that sense, it qualifies as a success. --David HoriuchiONE OF THE SCARIEST GAMES EVER MADE, RATED MThe wait is over. After five years of development, Lead Programmer John Carmack and the id Software team have put together a revolutionary visual experience. If your PC has the juice to set this game loose and you have a thirst for first-person shooter action, you're in for a treat. Although Doom 3 is not perfect, the 3D graphics engine upon which it is built sets a new, jaw-dropping standard that makes this game a must-have.

Hell on Mars
Your character is a low-ranking Marine on a routine rotation to the Mars Research Facility of the United Aerospace Corporation (UAC). That's pretty much all the backstory you need. Doom 3 is a bit skimpy in the storyline department, but rich plotting and character development have never been the focus of the Doom franchise. Action is the name of the game here, and we found plenty. After a few minutes of wandering through the facility, listening to rumors about impending catastrophe from the staff (rememb! er Half-Life?), it was time to start shooting. We fought our way through dark, lavishly detailed environments until finally doing battle with pure evil in the depths of hell. Although the game offers no opportunities to explore the Martian setting apart from the linear corridors of the research facility, good level design and well-crafted sound effects succeeded at scaring the living heck out of us all the way through.

Fearsome monsters. Dimly lit environments. The perfect recipe for horror.

Creature Discomforts
Groaning zombies and the sudden leaping attack of an eleven-eyed Imp are just the beginning of the horror and anxiety in Doom 3. Floating Cacodemons attack from above with a mouthful of teet! h... ethereal Revenants fire flesh-seeking missiles with deadl! y accura cy... a swarm of spider-like Trites skitter down the corridor, hungry for blood. Although the enemy AI in Doom 3 is less crafty than we would have liked, the incredible variety of enemies--each with a unique style of attack--outweighs this shortcoming somewhat.

Guns, Guns, Guns
While there are many powerful weapons in the game, they are designed to force players to anticipate and plan for firefights. For instance, we liked wielding the chaingun to shred enemies at longer ranges, but the weapon devours ammo and using it on close-range targets was a waste of bullets. We quickly learned to switch to the shotgun or the chainsaw to dispatch foes at close range.

One piece of hardware, the flashlight, was a point of both salvation and frustration for us. Doom 3 is a dark game and many enemies know how to take advantage of it. You'll often find yourself switching back and forth between your weapons and your flashlight just to see what's lurking ahe! ad. This problem might easily be solved by duct-taping the flashlight to your equipped weapon, but, alas, we found no duct tape on Mars.

Looking Good
Doom 3 looks incredible. Every room is exquisitely detailed, from the shimmer of the air near a heat source to the texture of a hamburger sitting on the counter of the company mess hall. Id obviously went all out designing every creature in the game and their realism makes them all the more horrifying. The eye candy does come at a price, though, and we were forced to play at fairly low resolution even on a Pentium IV 2.8 GHz and an ATI Radeon 9500. Even so, gameplay was smooth as silk. For higher resolutions (1024 x 768 and above) the latest generation of ATI or Nvidia cards is suggested. --Joshua Gunn

Pros

• Stunning display of graphics technology
• Strong level design with lots of spookiness
• Rich variety of enemies
• Plenty of hours of single-player gameplay

Cons

• Thin storyline
• Stiff system require! ments No headlamps or gun-mounted lighting in the 22nd century
• Fairly basic multiplayer options

A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban, they descend into the Olduvai Research Station, where they find a legion of nightmarish creatures, lurking in the darkness, killing at will. Once there, the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. Based on the hugely popular video game, DOOM is an explosive action-packed thrill ride!Doom 3 continues the incredible shooter action of the first two Doom games! The Mars Research Facility has been invaded by demons from Doom, leaving only chaos and horror in their wake. You're one of the only survivors - to stay alive you'll have to fight your way to Hell and back.The wait is over. After five years of development, Lead Programmer John Carmack and the id Software team have put togeth! er a revolutionary visual experience. Although Doom 3 is not perfect, the 3D graphics engine upon which it is built sets a new, jaw-dropping standard that makes this game a must-have. In addition to adding multi-player action via xBox live, or via networked consoles, the Xbox version of Doom 3 also adds a great two-player cooperative mode.

Hell on Mars
Your character is a low ranking Marine on a routine rotation to the United Aerospace Corporation's (UAC) Mars Research Facility. That's pretty much all the back-story you need. Doom 3 is a bit skimpy in the story-line department, but rich plotting and character development have never been the focus of the Doom franchise. Action is the name of the game here, and we found plenty. After a few minutes of wandering through the facility, listening to rumors about impending catastrophe from the staff (remember Half-Life?) it was time to start shooting. We fought our way through dark, lavis! hly detailed environments until finally doing battle with pure! evil in the depths of hell. Although the game offers no opportunities to explore the Martian setting apart from the linear corridors of the research facility, good level design and well crafted sound effects were successful at scaring the living heck out of us all the way through.

Fearsome monsters. Dimly-lit environments. The perfect recipe for horror.

Creature Discomforts
Groaning zombies and the sudden leaping attack of an eleven-eyed Imp are just the beginning of the horror and anxiety in Doom 3. Floating Cacodemons attack from above with a mouthful of teeth, ethereal Revenant fire flesh-seeking missiles with deadly accuracy, a swarm of spider-like Trites skitter down the corridor, hungry for blood. Although t! he enemy AI in Doom 3 is less crafty than we would have liked, the incredible variety of enemies--each with a unique style of attack--outweighs this shortcoming somewhat.

Guns, Guns, Guns
While there are many powerful weapons in the game, they are designed to force players to anticipate and plan for firefights. For instance, we liked wielding the chaingun to shred enemies at longer ranges, but the weapon devours ammo and using it on close-range targets was a waste of bullets. We quickly learned to switch to the shotgun or the chainsaw to dispatch foes at close range.

One piece of hardware, the flashlight, was a point of both salvation and frustration for us. Doom 3 is a dark game and many enemies know how to take advantage of it. You'll find yourself switching back and forth between your weapons and your flashlight often just to see what's lurking ahead. This problem might be easily solved by duct taping the flashlight to your equipped wea! pon, but, alas, we found no duct tape on Mars.

Multipla! yer< br> While Doom 3 is no Halo 2 when it comes to multi-player action, there are some respectable multi-player arenas and modes including death match, team death match, last man standing and tournament. Five maps serve to keep things interesting, and you'll want to look for special tricks in some arenas to give you a leg up on enemies. Cooperative multi-player proved to be a hoot as we teamed up with friends to try to make our way through the levels. The intensity of gameplay ramps up significantly in the cooperative mode, as the levels are designed to be harder. They're also designed to force players to work together, so you'll want to communicate with your partner as much as possible.

Looking Good
Doom 3 is incredible looking. Every room is exquisitely detailed, from the shimmer of the air near a heat source to the texture of a hamburger sitting on the counter of the company mess hall. Id obviously went all out designing every creature in the game and t! heir realism makes them all the more horrifying. Get ready to jump out of your couch cushions!--Joshua Gunn

Pros

• Stunning display of graphics technology
• Strong level design with lots of spookiness
• Great cooperative mode
• Plenty of hours of single-player gameplay

Cons

• Thin storyline
• No headlamps or gun-mounted lighting in the 22nd century
• Fairly basic multi-player options

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Badland

• Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Afghanistan and Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vine

BADLAND - DVD Movie

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Framed Prints of Jacobs Dream from Mary Evans

• This 14x11 Framed Print features an image chosen by Mary Evans. Estimated image size 356x265mm.
• Black Satin Frame White Digital Mat 14x11 wooden frame with digital mat and RA4 print. Finished back including brown backing paper, hanging bracket and corner bumpers
• Image Description: Jacob dreams of a staircase leading to Heaven, on which angels are passing some upwards, others downwards.
• For any queries regarding this item please contact Mary Evans c/o Media Storehouse quoting Media Reference 586454
• © (c) Mary Evans Picture Library 2007

Revenge At Any CostBirmingham Techno Ambassador Returns, Stronger Than Ever with a Second Album. The Downwards Sound of Uncompromising Industrial Techno Funk is Pushed Even Further.14x11 Framed Print, Black Satin Frame White Digital Mat. , JACOBS DREAM. Jacob dreams of a staircase leading to Heaven, on which angels are passing so! me upwards, others downwards. . Chosen by Mary Evans. 14x11 wooden frame with digital mat and RA4 print. Finished back including brown backing paper, hanging bracket and corner bumpers. This item is shipped from our American lab.

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Deep Blue Sea [Blu-ray]

• 1080p Hi-Def Picture and DTS-HD Lossless Sound!
• Commentary Track, Featurettes and More!
• Exclusive Blu-ray Version!

DEEP BLUE SEA - DVD MovieWith a voracious trio of mako sharks wreaking havoc, Deep Blue Sea dares to up the ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? The aforementioned makos have been lab rats in an effort to harvest a miracle cure for Alzheimer's disease from the brains of sharks, but the research has an unfortunate side effect: the sharks get smarter, and they're determined to break out of Aquatica, the deep-sea complex where they've been penned.

Model-actress Saffron Burrows plays the researcher; Thomas Jane pulls double-duty as shark ex! pert and action hunk; Samuel L. Jackson's the corporate sponsor who chooses the worst time for an Aquatica tour; and rapper LL Cool J is nicely cast as Aquatica's cook and comic relief. Michael Rapaport, Jacqueline McKenzie, and Stellan Skarsgård round out the cast, most of whom are turned into shark food as the makos turn Aquatica into a floating junkyard. Harlin takes devilish pleasure in providing sudden, unexpected shocks--no small feat in such a derivative thriller--and as a series of action set-pieces, Deep Blue Sea never disappoints. It's inevitable that Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. --Jeff ShannonSearching for a cure to Alzheimer's disease a group of scientists on an isolated research facility become the bait as! a trio of intelligent sharks fight back.
Genre: Fea! ture Fil m-Action/Adventure
Rating: R
Release Date: 3-FEB-2004
Media Type: DVDWith a voracious trio of mako sharks wreaking havoc, Deep Blue Sea dares to up the ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? The aforementioned makos have been lab rats in an effort to harvest a miracle cure for Alzheimer's disease from the brains of sharks, but the research has an unfortunate side effect: the sharks get smarter, and they're determined to break out of Aquatica, the deep-sea complex where they've been penned.

Model-actress Saffron Burrows plays the researcher; Thomas Jane pulls double-duty as shark expert and action hunk; Samuel L. Jackson's the corporate sponsor who chooses the worst time for an Aquatica tour; and rapper LL Cool J i! s nicely cast as Aquatica's cook and comic relief. Michael Rapaport, Jacqueline McKenzie, and Stellan Skarsgård round out the cast, most of whom are turned into shark food as the makos turn Aquatica into a floating junkyard. Harlin takes devilish pleasure in providing sudden, unexpected shocks--no small feat in such a derivative thriller--and as a series of action set-pieces, Deep Blue Sea never disappoints. It's inevitable that Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. --Jeff ShannonSamuel L. Jackson, Michael Rapaport, Thomas Jane, Suffron Burrows and LL Cool J star in the 1999 thriller DEEP BLUE SEA! This hi-def Blu-ray includes a commentary track by director Renny Harlin, Featurettes, Deleted Scenes, and more!With a voracious trio of mako! sharks wreaking havoc, Deep Blue Sea dares to up the ! ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? The aforementioned makos have been lab rats in an effort to harvest a miracle cure for Alzheimer's disease from the brains of sharks, but the research has an unfortunate side effect: the sharks get smarter, and they're determined to break out of Aquatica, the deep-sea complex where they've been penned.

Model-actress Saffron Burrows plays the researcher; Thomas Jane pulls double-duty as shark expert and action hunk; Samuel L. Jackson's the corporate sponsor who chooses the worst time for an Aquatica tour; and rapper LL Cool J is nicely cast as Aquatica's cook and comic relief. Michael Rapaport, Jacqueline McKenzie, and Stellan Skarsgård round out the cast, most of whom are turned into shark food as the makos turn Aquati! ca into a floating junkyard. Harlin takes devilish pleasure in providing sudden, unexpected shocks--no small feat in such a derivative thriller--and as a series of action set-pieces, Deep Blue Sea never disappoints. It's inevitable that Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. --Jeff Shannon

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Carhartt Men's Extremes Cold Weather Boot Sock,Navy,Large

• 67% Acrylic, 17% Wool, 8% Polyester, 7% Nylon, 1% Lycra Spandex
• Boot length
• Heavyweight
• Machine wash warm with like colors. tumble dry medium, remove promptly. do not iron. do not dry clean.
• Usa

Fully cushioned foot and lower leg for comfort and warmth. Non-terry vamp with breathing vents reduce bulk at ankle for comfort and breathability.

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