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Amazon Exclusive Interview with Kami Garcia an! d Margaret Stohl, Authors of Beautiful Creatures < /strong>
What does your writing process look like? Is it tough to write a book together? Did you ever have any knock-down drag-out fights over a plot point or character trait?Margie: The best way to describe our writing process is like a running stitch. We don't write separate chapters, or characters. We pass the draft back and forth constantly, and we actually write over each other's work, until we get to the point where we truly don't know who has written what.
Kami: By the end of the book, we don't even know. The classic example is when I said, "Marg, I really hate that line. It has to go." And she said, "Cut it. You wrote it."
Margie: I think we were friends for so long before we were writing partners that there was an unusual amount of trust fr! om the start.
Kami: It's about respect. And it helps that we can't remember when who wrote the bad line.
Margie: We save our big fights for the important things, like the lack of ice in my house or how cold our office is. And why none of my YouTube videos are as popular as the one of Kami's three-fingered typingâ¦okay, that one is understandable, given the page count for "Beautiful Creatures."
Kami: What can I say? I was saving the other seven fingers for the sequel.
What kinds of books do you like to read?Kami: I read almost exclusively Young Adult fiction, with some Middle Grade fiction thrown in for good measure. As a Reading Specialist, I work with children and teens in grades K-12, so basically I read what they read.
Margie: When I write it comes from the same place as when I read: wanting to hang out with fictional characters in fictional worlds. I identify more as a reader than a writer; I ! just have to write it first so I can read it.
! Wha t books/authors have inspired you?Kami: "To Kill a Mockingbird" by Harper Lee, "A Good Man is Hard to Find & Other Stories" by Flannery O'Connor, "Fahrenheit 451" by Ray Bradbury and "The Witching Hour" by Anne Rice. I also love Pablo Neruda.
Margie: I think Harper Lee is the greatest writer alive today. Eudora Welty is my other Southern writer kindred; I was obsessed with her in grad school. Susan Cooper and Diana Wynne Jones made me love fantasy, and my favorite poets are Emily Dickinson (at Amherst College, I even lived on her street) and Stevie Smith.
Did you set out to write fiction for young adults? Why?Kami: We actually wrote "Beautiful Creatures" on a dare from some of the teen readers in our lives.
Margie: Not so much readers as bosses.
Kami: Looking back, we wrote it sort of like the serialized fiction of Charles Dickens, turning in pages to our teen readers every week.
Margi! e: And by week she means day.
Kami: When we were getting texts in the middle of the night from teens demanding more pages, we knew we had to finish.
Margie: As it says in our acknowledgements, their asking what happened next changed what happened next. Teens are so authentic. That's probably why we love YA. Even when it's fantasy, it's the emotional truth.
A lot of us voracious readers like to cast a book after reading it. Did you guys have a shared view of who your characters are? Did each of you take a different character to develop, or did you share every aspect?Kami: We've never cast our characters, but we definitely know what they look like. Sometimes we see actors in magazines and say, "Lena just wore that!"
Margie: We create all our characters together, but after a point they became as real as any of the other people we know. We forget they're not.
Kami: I never thought of it like t! hat. I guess we do spend all our time talking about imaginary ! people. Margie: So long as it's not to themâ¦
Did you always plan to start the book with Ethan's story? Why?Kami: We knew before we started that we wanted to write from a boy's point of view. Margie and I both have brothersâ"-six, between us-â"so it wasn't a stretch. It's an interesting experience to fall in love with the guy telling the story rather than the guy the story is about.
Margie: We do kind of love Ethan, so we wanted there to be more to him than just the boy from boy meets girl.
Kami: He's the guy who stands by you at all costs and accepts you for who you are, even if you aren't quite sure who that is.
What is on your nightstand now?Kami: I have a huge stack, but here are ones at the top: "Mama Dip's Kitchen," a cookbook by Mildred Council, "The Demon's Lexicon" by Sarah Rees Brennan, "Shadowed Summer" by Saundra Mitchell, "Rampant" by Diana Peterfreund, and an Advanced Reader Copy of ! "Sisters Red" by Jackson Pearce.
Margie: I have Robin McKinley's "Beauty," Maggie Stiefvater's "Ballad," Kristen Cashore's "Fire," Libba Bray's "Going Bovine," and "Everything Is Fine" by AnnDee Ellis. And now I'm mad because I know a) Kami stole my "Rampant" and b) didn't tell me she has "Sisters Red"!
What is your idea of comfort reading?Kami: If given the choice, I'll always reach for a paranormal romance or an urban fantasy. I also re-read my favorite books over and over.
Margie: It's all comfort reading to me. I sleep with books in my bed. Like a dog, only without the shedding and the smelling.
Have you written the next book already? What's next for Lena and Ethan?Margie: We are revising the next book now. I don't want to give too much away, but summer in Gatlin isn't always a vacation.
Kami: I would describe book two as intense and emotional. For Ethan and Lena, the stakes are even ! higher.
Margie: That's true. Book two involves tru! e love, broken hearts, the Seventeenth Moon, and cream-of-grief casserolesâ¦
Kami: Gatlin at it's finest!
Inside burning buildings, Captain Caleb Holt lives by the firefighter's adage:Â Never leave your partner.
Yet at home, in the cooling embers of his marriage, he lives by his own rules.
Growing up, his wife Catherine always dreamed of marrying a loving, brave firefighter . . . just like her father. Now, after seven years of marriage, she wonders when she stopped being "good enough." Countless arguments and anger have them wanting to move on to something with more sparks.Â
As they prepare for divorce, Caleb's father challenges him to commit to a 40-day experiment:Â "The Love Dare."Â Wondering if it's even worth the effort, Caleb agrees, for his father's sake more than for his marriage.
Surprised by what he discovers about the meaning of love, Caleb realizes that his wife and marriage are worth fighting for. His job is to rescue others.Â! Now Captain Holt is ready to face his toughest job     ever . . . rescuing his wife's heart.
In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season. After learning that he and his wife Brooke face infertility, Grant discovers that a group of fathers are secretly organizing to have him dismissed as head coach. Devastated by his circumstances, he cries out to God in desperation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, the Eagles must step up to their greatest test of strength and courage.Jay Austin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are repeatedly exposed. Like many men, he becomes disg! usted by the masks he wears and lies he tells. While having a ! classic convertible repaired, Austin begins a humorous and inspiring journey to win back the hearts of his wife, his son, and his community. In every man's life, there can be a turning point. When Jay Austin makes his turn, he never looks back.Flywheel is the first film from the creators of Facing the Giants and Fireproof. Used car salesman Jay Austin (writer/director Alex Kendrick) swindles his customers and teaches his assistant salesmen to do the same--but despite the profits, something gnaws at him. When he realizes that his own son doesn't respect him, Austin has a conversion and accepts God into his life. This would be the end of most spiritual stories, but Flywheel finds a warm comedy in the obstacles on the path of righteousness; Austin discovers that being right with God means grappling every day with what it means to be honest. Though the filmmaking is raw (the editing is often clumsy and the cinematography is flat), the story is well-paced, has! a gently ironic sense of humor, and Kendrick's central performance is compelling. Kendrick is just as persuasive as a man struggling to emerge from a joyless life as he is when he's rediscovered his faith but finds it constantly tested. Though Flywheel is forthright about its Christian inspiration, the story is about actually living a moral life, not about abstract spiritual truths. The result is a movie that looks towards heaven, but has its feet on the earth. --Bret Fetzer
Stills from Angels & Demons (click for larger image)
Stills from Angels & Demons (click for larger image)
DVD Features:
Alternate endings
Audio Commentary
DVD ROM Features
Documentaries
Featurette
Other
On the DVD
As befits a horror franchise heavily invested in the idea of "fate," the Final Destination 3 disc carries a "Choose Their Fate" option. In other words, you can watch the movie with occasional choices offered; click on one of two alternatives, and see that version play out. This won't give you the power to let one character live or die; it's more like deciding whether somebody honks her horn twice in a scene, calls heads or tails on a coin flip, or pushes the thermostat to 72 degrees or 76. Not exactly life-changing, but it's kind of fun.
The bonus disc includes a 90-minute "making of" feature called Kill Shot, which covers the produc! tion of the movie in exhausting detail (honest detail, too: filmmakers James Wong and Glen Morgan are funny and blunt about the business they're in, including a section on how the original ending was scrapped in favor of a bloodier finale). It's everything you'd want to know about this movie--but who needs to know this much? A 7-minute cartoon, "It's All Around You," is an amusing meditation on bad luck and laws of probability, while a 25-minute featurette called Dead Teenager Movie spins off from Roger Ebert's theory about the rigid formula of a certain kind of horror film (Ebert weighs in on the subject himself). A few experts opine on the traditions of teenagers dying in horror films; some of them don't seem to be aware that the formula pre-dated the first Texas Chainsaw Massacre. Audio commentaries, special effects sidebars, and trailers fill out this needlessly authoritative disc. --Robert Horton
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Studio: Victor Multimedia-05 Release Date: 10/16/2007 Run time: 60 minutesHOT RODS TO HELL - DVD Movie