Sunday, November 6, 2011

Munchkin Backseat Organizer, Black

  • Universal system fits most seat backs
  • Durable, easy to clean nylon
  • Stores and organizes car essentials
  • Different sized pockets hold large and small items

Attractive, functional backseat organizer with multiple pockets, mesh pouches, and drink holders. Helps protect seat backs. High quality, durable materials. Easy to clean. Universal system fits most vehicle seat backs.


About Schmidt : Widescreen Edition

  • Widescreen
Warren Schmidt (Nicholson) is about to taste a not so sweet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman. From meeting hippie parents to sponsoring a Tanzanian foster child, Schmidt embarks on a search for answers...and discovers that life is full of trick questions.

DVD Features:
DVD ROM Features
Deleted Scenes
Theatrical Trailer:Deleted Scenes - 9 scenes Woodmen Sequences Theatrical Trailer - 16X9 Widescreen More theatrical trailers from New Line: Unconditional Love I Am Sam Link to Original Website Childreach.org link

While confirming Jack Nicholson's status as an American national treasure, About Schmidt is sure to provoke polarized reactions. Stoked by ! the success of Election, director Alexander Payne and cowriter Jim Taylor have altered Louis Begley's novel to suit their comedic agenda, turning Nicholson's titular character into a 66-year-old, newly retired Omaha insurance actuary, weary from decades of drudgery and passionless marriage. When his wife suddenly dies, he attempts to reclaim his life in a king-sized Winnebago, desperate to convince his daughter (Hope Davis) not to marry the Denver dimwit (Dermot Mulroney) whose mother (Kathy Bates) has her own baggage of peculiar peccadilloes. Nicholson perfectly (and often hilariously) nails the seething anger beneath his character's façade of resignation, but Payne and Taylor convey cold-hearted contempt for these Midwestern malcontents. Think of this as Ikiru with bleaker humanity, until Schmidt finds meaning--and some small reward--in a quiet gesture of goodwill. Love it or hate it, About Schmidt is a movie you won't soon forget. --J! eff ShannonWarren Schmidt (Nicholson) is about to taste a ! not so s weet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman. From meeting hippie parents to sponsoring a Tanzanian foster child, Schmidt embarks on a search for answers...and discovers that life is full of trick questions.

Saturday, November 5, 2011

Elephant: A Film By Gus Van Sant

  • Winner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant's (Good Will Hunting, Finding Forrester) Elephant takes us inside an American high school on one, single ordinary day that very rapidly turns tragic. Elephant demonstrates that high school life is a complex landscape where the vitality and beauty of young lives can shift from light to darkness with sur
From the groundbreaking director of GOOD WILL HUNTING and FINDING FORRESTER, GERRY stars Academy Award(R) winner Matt Damon (Best Original Screenplay, GOOD WILL HUNTING, 1997; THE BOURNE IDENTITY, OCEAN'S ELEVEN) and Casey Affleck (OCEAN'S ELEVEN, SOUL SURVIVORS) in a suspenseful and highly provocative story of two men pushed to the limit! A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns int! o an intense life-and-death journey that will test the strength of human endurance and ultimately, their friendship! Written by Damon, Affleck, and Director Gus Van Sant, this uncommonly compelling and starkly visualized film is a must-see motion picture that has earned the overwhelming praise of critics nationwide!In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and surreal landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit throug! h. Committed performances, flashes of dark humor, and a smatte! ring of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerFrom the groundbreaking director of Milk and Good Will Hunting, Gerry stars Matt Damon (The Adjustment Bureau) and Casey Affleck (Gone Baby Gone) in a suspenseful and highly provocative story of two men pushed to the limit.
A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns into an intense life-and-death journey that will test the strength of human endurance and ultimately their friendship. Written by Damon, Affleck and director Gus Van Sant, this uncommonly compelling and starkly visualized film has earned the overwhelming praise of critics nationwide.In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and sur! real landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit through. Committed performances, flashes of dark humor, and a smattering of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerWinner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant's (Good Will Hunting, Finding Forrester) Elephant takes us inside an Ameri! can high school on one, single ordinary day that very rapidly ! turns tr agic. Elephant demonstrates that high school life is a complex landscape where the vitality and beauty of young lives can shift from light to darkness with surreal speed. It's an ordinary high school day. Except that it's not.

DVD Features:
Featurette:On the Set of Elephant: "Rolling Through Time"
Full Screen Version
TV Spot:HBO Films Spot
Theatrical Trailer

Elephant, the elegant and unsettling movie from Gus Van Sant (My Own Private Idaho, Good Will Hunting), depicts students at a high school before and during a harrowing, Columbine-style shooting. The movie follows one young boy who takes over the wheel from his drunken dad while returning from lunch, then loops back in time and follows another student who crosses paths with the first, then loops back and follows another--all captured in long, unedited tracking shots that are serene and unhurried, even when two boys in camouflage gear, carrying h! eavy bags, arrive at the school and begin shooting. Elephant doesn't attempt to explain their behavior; it simply places the audience back in the brief yet interminable window of adolescence, when life is trivial and painfully important at the same time. Your reaction to Elephant will depend as much on your life experiences as anything in the movie itself. --Bret Fetzer

Kikkerland CD06 Grenade Screwdriver Set

  • Hand Grenade Screwdriver Set
  • Tool set inside grenade includes driver, small, medium, and large Phillips and flathead-style bits
  • A creative and unique spin on your regular screwdriver set
  • 7 Piece set is secretly hidden inside the compact grenade
  • Tips are held in by a strong magnet- easy to use and hold
Get ready for "the mother of all comedy events" (Pat Collins, WWOR-TV/New York) as Robin Williams and Billy Crystal play a flaky writer and an uptight lawer teaming up to track down a runaway teen each thinks might be his son. Year: 1997 Director: Ivan Reitman Starring: Robin Williams, Billy Crystal, Julia Louis-DreyfusBilly Crystal plays the straight man to neurotic Robin Williams when these two very different individuals join forces to find a runaway teenager. Both, you see, have been told they are the boy's father by Nastassja Kinski, with whom each had once be! en involved. This Disney production is based on the more humorous French farce, Les Compères, by Francis Veber (who cowrote this adaptation). It has its moments as breezy entertainment, but the plot is sloppy enough to seem more like slapstick than sophisticated comedy. The gags are contrived, and it fails to unfold with believability, or grace. More interesting than the writing are the performances, as Crystal brings surprising depth to his cynical lawyer and Williams is exceptionally fine-tuned as a suicidal and dippy writer with a very kind heart. --Rochelle O'Gorman
"I'm taking you out for Father's Day," Susie tells Dad. "First we'll go for lunch." "Good," Dad says. "May I drive?" "Certainly," Susie says. She chooses the restaurant, and pretty soon Dad can see that she's filled this special day with treats--treats for both of them! When they get back home, Mom's final surprise (that isn't really a surprise at all) is a perfect ending for the perfec! t day.

Father's Day is just around the corner, and Li! ttle Cri tter and Little Sister have decided to plan a big surprise for Dad and Grandpa. Join them as they make cards, cook a special breakfast together, and put on a magic show. Lift the flaps and find out what Father's Day surprises are in store!

CD06 Features: -6 piece set. -Materials: stainless steel, PP. -Overall Dimensions: 4'' H x 2'' Dia.

Living with a Black Dog: His Name Is Depression

  • ISBN13: 9780740757433
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
BLACK DOG - DVD MovieAn ex-con daredevil trucker must reinfect himself with white-line fever in order to save his wife and kid from nasty gunrunners in this enjoyably mindless, twisted-metal-fest from the director of Passenger 57. Longtime MIA action stud Patrick Swayze (who snagged the part after Kevin Sorbo had to suddenly vacate due to health problems) is even more expressionless than usual in the lead role, but helmer Kevin Hooks compensates with a seriously rocking country soundtrack, some pleasantly eccentric supporting characters (including erstwhile crooner Randy Travis and a way-over-the-top Meatloaf as a psychotic trucker preaching damnation by the dashboard light), and--most importan! tly--a whole lot of rolling iron getting smashed in spectacularly kinetic fashion. A low-down, down-home, cotton-picking flick that blows up real good. --Andrew WrightOne in four women and one in six men will suffer from depression at least once in their life. Few are immune. It was the greatly admired Winston Churchill, a depression sufferer for much of his life, who nicknamed this human condition "Black Dog."

Living with a Black Dog is perhaps the most useful book ever created about depression. In simple text and strongly supportive illustrations, this slim volume examines, explains, and demystifies one of the most widespread and debilitating problems afflicting modern society.

Whether you've struggled with your own Black Dog for years, wondered why you're feeling sort of "ruff" lately, or known someone shadowed by a dark canine, Living with a Black Dog is for you. Artist and writer Matthew Johnstone, a depression sufferer himself, delivers! a moving and uplifting insight into life with this unsavory c! ompanion . Even better, the book shows the strength and support to be found within and around us to tame this shaggy beast and ultimately bring it to heel.

Johnstone's book doesn't pretend to have all the answers. It doesn't resort to simple "dog tricks" for dealing with depression. But Living with a Black Dog does deliver understanding, hope, and the assurance that Black Dog days are not forever.

Driven

  • Officially Licensed
  • Highest Quality Recording
When he was sixteen years old, Larry Miller came home one summer night to find all his possessions sitting in three bags on the porch of his darkened house. The door was locked. From those troubled and humble beginnings rose a man whose influence has touched, according to reliable pollsters, more than 99 percent of the population of Utah as well as myriads of people worldwide. Seven months before Miller passed away, he began working with Doug Robinson on this biography. Written in first person, the book talks about the many facets of Larrys life and legacy and speaks candidly about the people and experiences that influenced him. It doesn t just tell Larry Millers story, it shares lessons painful as well as joyful lessons he has learned from his experiences. This fascinating and inspiring biography includes:A moving foreword by Utah Jazz gr! eat John Stockton, An epilogue written by Gail Miller, Larry s wife, Numerous photographs, A firsthand look at the incredible breadth of Larry Miller s work and contributions in business, in sports, in the arts, in his support of the Joseph Smith Papers Project, as well as his personal humanitarian service, A full section addressing the question Larry was most often asked: How did you do it?A young hot shot driver (Kip Pardue from Remember the Titans) is in the middle of a championship season and is coming apart at the seams. A former CART champion (Sylvester Stallone) is called in to give him guidance.

DVD Features:
Audio Commentary:Commentary with Reny Harlin
Deleted Scenes:Deleted Scenes with commentary by Sylvester Stallone or production audio
Documentary
Other:"Conquering Speed Through Live Action and Visual Effects"
TV Special:"The Making of Driven" (HBO 1st look Special)
Theatrical Trailer:"Game Tr! ailer"

Motorsport movies have a lousy track record, so ! it's not surprising that Driven joins the ranks of previous race-car clunkers like Grand Prix, Le Mans, Bobby Deerfield, and Days of Thunder. To varying degrees, all of these films offer spectacular racing footage (especially Le Mans), but what is surprising is that Driven was written by its star and coproducer Sylvester Stallone, who shows virtually no sign of the talent that created Rocky over a quarter-century earlier. Under the tepid direction of Renny Harlin, this superficial speedfest fulfills its primary obligation--the racing sequences are adequately exciting, despite the Cuisinart editing and a glaring lack of kinetic continuity. But whenever this adrenaline-pumped drama gets off the track, well... let's just say it's a hybrid of Top Gun and Days of Thunder, but makes those Tom Cruise vehicles look masterful by comparison.

Stallone's a retired Grand Prix champion, called back into action by hi! s disabled crew chief (Burt Reynolds) to boost the career of a hotshot driver (Kip Pardue, the pretty-boy from Remember the Titans) who's trailing a German ace (charismatic Til Schweiger) in the current 20-race season. The female contingent consists of a reporter (Stacy Edwards, too talented for this tripe) who's writing about "male domination in sports"; Stallone's embittered, remarried ex-wife (Gina Gershon, parodying her bitchy persona); and the requisite kewpie doll (Estella Warren) who comes between Boy Wonder and the reigning champ. It's airhead melodrama all the way, so you'd better enjoy the breakneck racing scenes--including a ludicrous prototype-racer joyride through downtown Chicago--or you'll blow a piston on your straightaway sprint to the bad-movie finish line. --Jeff Shannon

Friday, November 4, 2011

Close to Home

  • Inia divided city, friendship isitheir last line of defense. In the nation of Israel, military service is compulsory for all citizens. Now an award-winning drama offers an in-depth look at young women's lives in the service. Dutiful Mirit (Naama Schender) is assigned to a street patrol with the rebellious Smadar (Smadar Sayar). Plunged into the simmering tensions of Jerusalem, they find the
By the New York Times bestselling author of the Do It Yourself home renovation mysteries...

4th book in the Savannah Martin romantic mystery series, following A Cutthroat Business, Hot Property, and Contract Pending, by bestselling author Jenna Bennett AKA Jennie Bentley.

SYNOPSIS:

Sometimes, trouble hits too close to home.

Savannah's late. The kind of late that comes with midnight feedings and the pitter-patter of little feet. And while it's a circumstance that ! should make everyone happy - now she can finally settle down and marry Todd Satterfield, the way everyone's been hoping and praying! - it isn't Todd's baby. And Rafe Collier, whose baby it is, didn't sign on for fatherhood.

Add in the murder of Savannah's sister-in-law Sheila, the trial of Sheila's friend Marley, and the disappearance of Rafe's twelve year old son David - the kid he never knew he had - and things get complicated fast. And there is worse to come: When Rafe comes back to Nashville to help look for David, and learns that Savannah's pregnant, things do not work out the way Savannah hopes. In the end, she's left with nothing she wanted and a whole lot of trouble she didn't, and when she gets in over her head, Rafe's not there to save the day.

ALSO IN THIS SERIES:

A Cutthroat Business (May 2011)
Hot Property (June 2011)
Contract Pending (July 2011)
Close to Home (September 2011)
A Done Deal (December 2011)
ABOUT THE AUTHOR:

Jenna Bennett is the Ne! w York T imes bestselling author of the Do It Yourself home renovation mysteries from Berkley Prime Crime - written as Jennie Bentley - as well as the Savannah Martin/Cutthroat Business mysteries written as Jenna Bennett. A former Realtor® and home renovator, she makes her home in Nashville, Tennessee, with a husband, two boys, and a house full of pets.

ALSO BY THIS AUTHOR:

Fatal Fixer Upper, DIY-1 (November 2008) written as Jennie Bentley
Spackled and Spooked (August 2009) written as Jennie Bentley
Plaster and Poison (March 2010) written as Jennie Bentley
Mortar and Murder (January 2011) written as Jennie Bentley
Flipped Out (October 2011) written as Jennie Bentley


By the New York Times bestselling author of the Do It Yourself home renovation mysteries...

4th book in the Savannah Martin romantic mystery series, following A Cutthroat Business, Hot Property, and Contract Pending, by bestselling author Jenna Bennett AKA! Jennie Bentley.

SYNOPSIS:

Sometimes, trouble hits too close to home.

Savannah's late. The kind of late that comes with midnight feedings and the pitter-patter of little feet. And while it's a circumstance that should make everyone happy - now she can finally settle down and marry Todd Satterfield, the way everyone's been hoping and praying! - it isn't Todd's baby. And Rafe Collier, whose baby it is, didn't sign on for fatherhood.

Add in the murder of Savannah's sister-in-law Sheila, the trial of Sheila's friend Marley, and the disappearance of Rafe's twelve year old son David - the kid he never knew he had - and things get complicated fast. And there is worse to come: When Rafe comes back to Nashville to help look for David, and learns that Savannah's pregnant, things do not work out the way Savannah hopes. In the end, she's left with nothing she wanted and a whole lot of trouble she didn't, and when she gets in over her head, Rafe's not there ! to save the day.

ALSO IN THIS SERIES:

A Cutthr! oat Busi ness (May 2011)
Hot Property (June 2011)
Contract Pending (July 2011)
Close to Home (September 2011)
A Done Deal (December 2011)

ABOUT THE AUTHOR:

Jenna Bennett is the New York Times bestselling author of the Do It Yourself home renovation mysteries from Berkley Prime Crime - written as Jennie Bentley - as well as the Savannah Martin/Cutthroat Business mysteries written as Jenna Bennett. A former Realtor® and home renovator, she makes her home in Nashville, Tennessee, with a husband, two boys, and a house full of pets.

ALSO BY THIS AUTHOR:

Fatal Fixer Upper, DIY-1 (November 2008) written as Jennie Bentley
Spackled and Spooked (August 2009) written as Jennie Bentley
Plaster and Poison (March 2010) written as Jennie Bentley
Mortar and Murder (January 2011) written as Jennie Bentley
Flipped Out (October 2011) written as Jennie Bentley


There are human bones buried in an open field, the remains of a lost teenaged ! boy whose disappearance devastated a community more than thirty-five years ago ... and scarred a guilt-ridden friend forever.

A long-hidden horror has been unearthed, dragging a tormented policeman back into a past he could never truly forget no matter how desperately he tried. A heinous crime that occurred too close to home still has its grip on Chief Inspector Alan Banks -- and it's leading him into a dark place where evil still dwells. Because the secrets that doomed young Graham Marshall back in 1965 remain alive and lethal -- and disturbing them could cost Banks much more than he ever imagined.

Having already shown, in 1999's In a Dry Season, that he can plumb historical homicide for gripping modern drama, Peter Robinson goes further in Close to Home, telling parallel stories about teenage boys lost in a grownup world, decades apart. The first is Graham Marshall, a childhood pal of Detective Chief Inspector Alan Banks, who vanished mysteriously ! in 1965, the supposed victim of a pedophile. Hearing that Grah! am's bon es have finally been unearthed, Banks quits his vacation in Greece and heads to his hometown of Petersborough, England, hoping to assist the investigation--and, perhaps, assuage his guilt over his friend̢۪s fate. Meanwhile, Banks's colleague and ex-lover, Annie Cabbot, is busy probing the recent disappearance of 15-year-old Luke Armitage, the sensitive, brainy son of a rock star who committed suicide during Luke's infancy. After Cabbot catches hell for interrupting what may or may not have been a legitimate ransom payment for Luke's return, she seeks Banks's advice, drawing these two plot lines neatly together.

As this intense and intricately crafted puzzler develops, blending fiction with a bit of fact (the Kray brothers, who ran a criminal ring in London's East End during the mid-20th century, play off-camera roles here), Robinson explores Banks's troubled relationship with his parents, especially his working-class father, who "had never approved of his choice of ! career." He also raises doubts about a famed copper who’d originally tackled the Marshall case, involves Banks romantically with a damaged detective whose investigative diligence threatens her safety, and shows Cabbot as someone better and stronger than merely Banks's protégé. Working with themes of lost youth and the dark secrets hidden in small towns, Robinson delivers in this 13th Banks novel a police procedural of remarkable human depth. --J. Kingston Pierce(Drama) Two young, different female soldiers patrol the anxious streets of Jerusalem, questioning Palestinians and looking for suicide bombers. The rebellious one finds the army demeaning; the controlled one is obedient. Under intense pressure, against a backdrop of any-minute-now terrorist attacks, a friendship takes hold and roles reverse.

Suspense Collection (Seven/Heat/Insomnia/The Devil's Advocate)

  • 4 FILM FAVORITES: SUSPENSE COLLECTION (DVD MOVIE)
DEVIL'S ADVOCATE - DVD MovieToo old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money. Think of the story as a twist on John Grisham's The Firm, with the corporate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, g! leefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. The film was directed by Taylor Hackford (Against All Odds, Dolores Claiborne). --Jim EmersonHotshot attorney accepts tempting offer from an elite New York law firm only to find himself fighting for his soul.
Genre: Suspense
Rating: R
Release Date: 7-SEP-2004
Media Type: DVDToo old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money. Think of ! the story as a twist on John Grisham's The Firm, with t! he corpo rate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, gleefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. The film was directed by Taylor Hackford (Against All Odds, Dolores Claiborne). --Jim EmersonHeat, Seven, The Devil's Advocate, Insomnia HEAT INCLUDES: • Widescreen Format [16x9 2.4:1] • Theatrical Trailers • Languages & Subtitles: English & Français (Main Feature. Bonus Material/Trailer May Not Be Subtitled). SE7EN INCLUDES: • Widescreen Format [16x9 2.4:1] • Cast Biographies/Filmographies • Subtitles: English, Français & Español. THE DEVIL’S ADVOCATE INCLUDES: • Widescreen Format [16x9 2.4:1] • Commentary by Director Taylor Hackford • Over 30 Minutes of Deleted Scenes • Production Notes • Theatrical Trailers & TV Spots • Languages: English & Fran! çais • Subtitles: English, Français & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled). INSOMNIA INCLUDES: • Widescreen Format [16x9 2.4:1] • Additional Scene • 2 Commentaries: • Director Christopher Nolan (Commentary in Order of Shooting Sequence) • Hilary Swank, Production Designer Nathan Crowley, Editor Dody Dorn, Cinematographer Wally Pfister and Screenwriter Hillary Seitz • 4 Featurettes: • Day for Night: Making the Movie • 180°: A Conversation with Christopher Nolan and Al Pacino • In the Fog: Cinemtography and Production Design • Eyes Wide Open: The Insomniac’s World • Stills Gallery • Theatrical Trailer • Languages: English & Français (Dubbed in Quebec) • Subtitles: English, Français & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled).

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