Moosa (Faridi Amier) whose sole propose is makin money by contract killing, is a sheer opportunist who uses everybody he knows, including his associate Arjun who takes him as his brother his business is spread the world over. The club owner who enjoys singing, dancing does not tolerate any misconduct inside his joint. The club becomes the hub for contract killers.
Count Dracula is a highly atmospheric adaptation of the classic Bram Stoker novel, directed with panache by auteur Jess Franco (Venus in Furs, The Diabolical Dr. Z).
Screen icon Christopher Lee (Horror of Dracula, Lord of the Rings: The Fellowship of the Ring) portrays the titular Count Dracula, who flees the cold confines of his Carpathian castle for the shores of England, where he must feed on the blood of beautiful Lucy (Soledad Miranda, Vampyros Le! sbos) and Mina (Maria Rohm, 99Women) in order to grow youthful and stay alive.
Also featuring excellent performances by Herbert Lom (The Ladykillers) as Van Helsing and Klaus Kinski (Nosferatu the Vampyre) as Renfield, as well as an ominous score by Bruno Nicolai (Eugenie de Sade, The Night Evelyn Came Out of the Grave), Count Dracula is presented for the first time on DVD in the U.S.
Jess Franco, the Spanish director known for soft-core films featuring vixens in various precarious situations, successfully incorporates Bram Stoker's Dracula into his repertoire with Count Dracula. Starring Hammer's Dracula Christopher Lee, this film is unrelated to the Hammer films, to its credit. This film may be the most accurate telling of Stoker's classic vampire story, so faithful is it to the novel, even to include many of the book's lines in the script. With an array of truly Gothic, medieval sets, and a cast well-versed i! n horror, including Klaus Kinski (Werner Herzog's Nosferatu! ) as Renfield, and Soledad Miranda (Vampyros Lesbos) as Lucy, Count Dracula authentically captures Stoker's careful blend of physical monstrosity and sexual fetish to portray the Count's quest for eternal life. For example, few vampire films besides Franco's take time to feature Lucy and her lover Quincy's blood transfusions that reinforce blood's metaphoric connection to sexual desire. Moreover, Maria Rohm plays Mina Harker with the proper innocence to serve as a foil character to her promiscuous friend, Lucy. Dr. Van Helsing, in this film, gets ample opportunity to sleuth vampirism. Franco relays the story of this Transylvanian count who leaves his castle in the Carpathian mountains for a house in England by accentuating the sexual aspects of the plot, which is what any Franco fan would hope for. Additionally enlightening is this DVD's featurette, in which Franco describes his theories about vampire films. --Trinie Dalton
Set in Madrid, the story defies description, but this much can be revealed: young, handsome Cesar (Eduardo Noriega) is vain, rich, charming, and--following a botched suicide-murder scheme by a jilted lover--horribly disfigured. He'd fallen in love with Sofia (Penélope Cruz) but is now an embittered husk of his former self, stuck in a "psychiatric penitentiary" on a murder charge and hiding behind an expressionless mask. His reality has crumbled, but as the film's agenda is gradually revealed, we realize that there are other factors in play. Exposing that agenda would be a criminal offense against those who haven't seen the film; suffice it! to say that Open Your Eyes takes you into the twilight! zone an d beyond, and does so cleverly enough to prompt Tom Cruise to produce and star in an English-language remake, Vanilla Sky. The 2001 remake, directed by Cameron Crowe, costars Cameron Diaz and Penélope Cruz, who reprises her original role. --Jeff ShannonVOLVER - DVD MovieSpanish for "Coming Back," Volver is a return to the all-female format of All About My Mother. Unlike Pedro Almodóvar's previous two pictures, the story revolves around a group of women in Madrid and his native La Mancha. (The cast received a collective best actress award at Cannes.) Raimunda (a zaftig Penélope Cruz) is the engine powering this heartfelt, yet humorous vehicle. When husband Paco (Antonio de la Torre) is murdered, Raimunda makes like Mildred Pierce to deflect attention away from daughter Paula (Yohana Cobo). After telling everyone the lout has left, she struggles to conceal his body. The other women in her life all have secrets of their own. Her sister, Sole (Lola! Dueñas), for instance, has taken in their mother, Irene (a sprightly Carmen Maura). Since Irene perished in a fire, is this person a ghost or simply a woman who looks like her? Then there's their childhood friend, Agustina (Blanca Portillo), who is desperate to find out why her mother disappeared after the blaze. Was she responsible? Almodóvar deftly blends the ghost story with the murder mystery in his tribute to the Italian neo-realist films of the 1950s. The resilient Raimunda is a throwback to the earthy heroines of Sophia Loren and Anna Magnani. The latter appears in Luchino Visconti's Bellissima, which shows up on Sole's television one night (thus confirming the link). If Almodóvar’s 16th feature lacks the emotional punch of the more audacious Talk to Her, it's less heavy-handed than Bad Education and Cruz is a revelation. --Kathleen C. Fennessy
Teresa Strasser is an Emmy-winning writer, radio personality (as Adam Carolla's long-suffering sidekick) and the author of Exploiting My Baby: A Memoir of Pregnancy and Childbirth.Â
Teresa: Do! you get sick of hearing how amazing you look after having four kids? Do you sometimes just want to roll your eyes and go, "I knooooooow. What else is new?" 
Teresa: You sell post-pregnancy belly wraps. Are those made with lavash or tortilla? I'm hungry!
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